On January 1, 2010, the song "Forcefield" was released by Marius de Vries. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Kick-Ass: The Score" album is number 3 out of 39. On top of that, United Kingdom appears to be the country where this track was created. Forcefield is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Forcefield by Marius de Vries to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arpeggio Theme | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| The Call | Dario Marianelli | B Major | 1 | 1B | 74 BPM | ||
| Trust & Facade | Hollers Gang | E Major | 2 | 12B | 51 BPM | ||
| Merida's Home - From "Brave"/Score | Patrick Doyle | D Major | 5 | 10B | 142 BPM | ||
| Mary And Henry | Paul Cantelon | E♭ Major | 1 | 5B | 82 BPM | ||
| I Won't Leave You | Clinton Shorter | D Major | 1 | 10B | 119 BPM | ||
| CENTRAL HOTEL - The Marius de Vries Ghost In the Sky Mix | Gemma Hayes, Marius de Vries | F Major | 7 | 7B | 156 BPM | ||
| Rewriting History | Jon Opstad | G Major | 1 | 9B | 166 BPM | ||
| A Game of Croquet | Jóhann Jóhannsson | E Minor | 0 | 9A | 118 BPM | ||
| A Letter From Prison | Dario Marianelli | B♭ Major | 0 | 6B | 112 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Always Unforgotten | Michael Price | E♭ Major | 1 | 5B | 82 BPM | ||
| Bracelet | Peter Raeburn | A Minor | 1 | 8A | 111 BPM | ||
| Wait Wait Stop Stop | Marius de Vries | G Major | 4 | 9B | 95 BPM | ||
| Clara_ | Murray Gold | G Major | 1 | 9B | 140 BPM | ||
| Funeral Dark | Stephen Rennicks | E♭ Major | 1 | 5B | 90 BPM | ||
| Suite From Mulan | Jerry Goldsmith, Disney | C Major | 1 | 8B | 93 BPM | ||
| The Show's Over | Howard Shore | C Minor | 2 | 5A | 93 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| It Can't Be! (feat. Ayana Haviv) | Christopher Lennertz, Ayana Haviv | A♭ Major | 2 | 4B | 172 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| August Rush Rhapsody - Demo | Mark Mancina | C Major | 2 | 8B | 84 BPM | ||
| Kidnap! - Suite | Marius de Vries, Karl Saint Lucy | E Major | 3 | 12B | 92 BPM | ||
| Worth Fighting For | Patrick Doyle | G Major | 1 | 9B | 75 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM |