"Last Rounds" by Mary Steinbrecher had its release date on October 2, 2020. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mary Steinbrecher's "Last Rounds" album is number 3 out of 3. On top of that, Sweden appears to be the country where this track was created. Last Rounds is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Last Rounds by Mary Steinbrecher to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Silver Clouds | Ren Lockhart | D Major | 0 | 10B | 77 BPM | ||
| Die Spieluhr | Sebastian Brehm | F Minor | 0 | 4A | 90 BPM | ||
| Days Gone By | Tiny Rhino | C Major | 0 | 8B | 166 BPM | ||
| Maxine | Aron Edwards | B Major | 0 | 1B | 112 BPM | ||
| Little blue girl | Luna Bauer | E♭ Major | 4 | 5B | 85 BPM | ||
| Verdant | Moldoveanu | D♭ Major | 1 | 3B | 113 BPM | ||
| Tides | Becky Ainge | C Major | 0 | 8B | 199 BPM | ||
| Un Petit | Mary Steinbrecher | F Major | 1 | 7B | 97 BPM | ||
| Feuilles Tombantes | Mauvais Roger | E Major | 0 | 12B | 65 BPM | ||
| Labyrinth | Aron Edwards | G Minor | 1 | 6A | 176 BPM | ||
| Keepsake | Pamela Goldings | A♭ Major | 1 | 4B | 79 BPM | ||
| Floating Above Ivory | Eyøni | E Major | 0 | 12B | 105 BPM | ||
| Mar De Ardora | Biba Dupont | C Minor | 0 | 5A | 206 BPM | ||
| Finale | Aron Edwards | B♭ Minor | 0 | 3A | 110 BPM | ||
| immaginiamo (Whatever we imagine) | Bilotte | F Major | 0 | 7B | 83 BPM | ||
| As if She Were The Sun | Avery Hall | G Major | 0 | 9B | 123 BPM | ||
| Prelude | Lydia Barnes | E♭ Major | 1 | 5B | 96 BPM | ||
| Grains of Sand | Jon Winterstein | A Major | 1 | 11B | 74 BPM | ||
| Trust | Allard Sidonia | E♭ Minor | 0 | 2A | 140 BPM | ||
| My Remedy | Samuel Kees | A♭ Major | 0 | 4B | 69 BPM | ||
| Whispering Pines | Logan Collier | B Major | 1 | 1B | 125 BPM | ||
| Stay The Night | Comet Blue | B♭ Minor | 1 | 3A | 113 BPM | ||
| Phoneme | Denise Santoz | D♭ Minor | 2 | 12A | 75 BPM | ||
| Arco | Con Alma | A Major | 0 | 11B | 154 BPM | ||
| Der Boden | Pontiver Bogross | A♭ Major | 1 | 4B | 73 BPM |