"28" by Donald Rubinstein had its release date on January 1, 2006. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 28 out of 31 in Bruiser by Donald Rubinstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 28 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 28 by Donald Rubinstein is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stake, Well Done! | Donald Rubinstein | C Major | 0 | 8B | 101 BPM | ||
| WORLD | Atobare | F♯ Major | 2 | 2B | 150 BPM | ||
| 夜霧は銀の靴 -ハウスのテーマより | Godiego | G Major | 1 | 9B | 69 BPM | ||
| Morning After | Charles Bernstein | E♭ Major | 3 | 5B | 100 BPM | ||
| Under | Bounce Melody | E♭ Major | 2 | 5B | 78 BPM | ||
| Sad Memories | Roque Baños | D Minor | 0 | 7A | 69 BPM | ||
| KOTD Love Theme | Steven Hufsteter | G Minor | 5 | 6A | 83 BPM | ||
| Alma | Simon Boswell | F Minor | 5 | 4A | 170 BPM | ||
| Mr. Eddy's Theme 2 | Barry Adamson | B♭ Major | 4 | 6B | 82 BPM | ||
| Five Pieces For Orchestra, OP 10 (Sehr-langsam und ausserst ruhig) | The National Philharmonic Orchestra-Conducted by Leonard Slatkin | F♯ Minor | 1 | 11A | 104 BPM | ||
| H3 - Season of The Witch - Re-Mastered | John Carpenter, Alan Howarth | A Major | 1 | 11B | 106 BPM | ||
| Bram Stoker's Dracula: The Party | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Minor | 0 | 12A | 99 BPM | ||
| Costello dans la ville - Bande originale du film "Le samouraï" | François de Roubaix | A Minor | 0 | 8A | 76 BPM | ||
| Boiler Room | Charles Bernstein | D Major | 1 | 10B | 82 BPM | ||
| Tenebrous | Marcus Fjellström | A♭ Major | 5 | 4B | 64 BPM | ||
| The Coven | Krzysztof Komeda | C Major | 3 | 8B | 89 BPM | ||
| Resurrection | Christopher Young | A♭ Minor | 2 | 1A | 108 BPM | ||
| For Cozy | Donald Rubinstein | D Minor | 1 | 7A | 111 BPM | ||
| What Have You Done To Its Eyes | Krzysztof Komeda | C Major | 3 | 8B | 131 BPM | ||
| Sonovabitch | Mark Korven | E Major | 0 | 12B | 111 BPM | ||
| Candyman: Helen's Theme and More | Philip Glass, Michael Riesman | C Minor | 0 | 5A | 92 BPM | ||
| Burn It to the Ground | Michael Andrews | F Minor | 3 | 4A | 119 BPM | ||
| Main Title | Fabio Frizzi | C Minor | 2 | 5A | 139 BPM | ||
| Seduction and Pursuit | Christopher Young | A♭ Minor | 4 | 1A | 79 BPM | ||
| Connexion | Goblin | F Major | 6 | 7B | 101 BPM |