Tiffany Jana, Matthew Freeman's 'Chapter 17 - Overcoming Bias - Building Authentic Relationships across Differences' had a release date set for November 1, 2016. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 65 in the song's album "Overcoming Bias [Building Authentic Relationships across Differences (Unabridged)]". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Chapter 17 - Overcoming Bias - Building Authentic Relationships across Differences is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Chapter 17 - Overcoming Bias - Building Authentic Relationships across Differences by Tiffany Jana, Matthew Freeman having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chapter 19 - Blood Ties - Spirit Animals 3 | Garth Nix, Sean Williams, Nicola Barber | E♭ Major | 3 | 5B | 94 BPM | ||
| Chapter 1 - The Traitor's Game - The Traitor's Game, Book 1 | Jennifer A. Nielsen, Jesse Vilinsky, Michael Curran-Dorsano | F♯ Major | 1 | 2B | 126 BPM | ||
| Der unsichtbare Gast | Die Maus, Lisa Delacor, Ben Kurzweg, Bob Konrad, Fee Feser | A Minor | 1 | 8A | 88 BPM | ||
| Trixie La Bouche | Chris Barrie | B♭ Minor | 0 | 3A | 82 BPM | ||
| Vem kan rädda Artemis? (Del 16) | Stallgänget på Tuva, Ida Olsson | D Minor | 1 | 7A | 113 BPM | ||
| Capítulo 22.2 & Capítulo 23 & Capítulo 24.1 - Pratique conversação em inglês | Disal Editora | F Major | 2 | 7B | 169 BPM | ||
| Chapter 47 - Upside-Down Magic - Upside-Down Magic 1 | Sarah Mlynowski, Lauren Myracle, Emily Jenkins, Rebecca Soler | B♭ Major | 2 | 6B | 80 BPM | ||
| Chapter 115 - The B Corp Handbook, Second Edition - How You Can Use Business as a Force for Good | Ryan Honeyman, Tiffany Jana, Janina Edwards | A♭ Minor | 1 | 1A | 129 BPM | ||
| Chapter 04: The Forest Fire | Bibi and Tina | B♭ Minor | 3 | 3A | 76 BPM | ||
| Chapter 20 - A Scandal in Bohemia | Sherlock Holmes Audiobooks, Sherlock Holmes, Arthur Conan Doyle | B Minor | 3 | 10A | 178 BPM | ||
| Vem kan rädda Artemis? (Del 15) | Ida Olsson, Stallgänget på Tuva | D Major | 1 | 10B | 84 BPM | ||
| Chapter 26 - Subtle Acts of Exclusion - How to Understand, Identify, and Stop Microaggressions | Tiffany Jana, Michael Baran, Janina Edwards | A♭ Minor | 2 | 1A | 59 BPM | ||
| Chapter 9 - Erasing Institutional Bias - How to Create Systemic Change for Organizational Inclusion | Tiffany Jana, Ashley Diaz Mejias, Janina Edwards | B Major | 2 | 1B | 126 BPM | ||
| 02 - The Dunwich Horror - Chapter 2 | Phil Reynolds | F♯ Major | 3 | 2B | 101 BPM | ||
| Genesis_10 | Christopher Glynn | A♭ Major | 2 | 4B | 69 BPM | ||
| Chapter 41 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | F♯ Minor | 3 | 11A | 100 BPM | ||
| Kapitel 158 - Eisenhut und Apfelstrudel - Ein Bayern-Krimi - Hauptkommissar Hirschberg, Teil 1 | Jessica Müller, Sebastian Walch | A Major | 1 | 11B | 141 BPM | ||
| Chapter 2.5 - 1984 | George Orwell | A Major | 7 | 11B | 186 BPM | ||
| Chapter 3.4 - 1984 | George Orwell | F♯ Major | 1 | 2B | 102 BPM | ||
| Chapter 45 - Blood Ties - Spirit Animals 3 | Garth Nix, Sean Williams, Nicola Barber | E♭ Major | 3 | 5B | 94 BPM | ||
| Track 1 - The Time Machine | Doctor Who, Matt Fitton, Jenna Coleman, Michael Cochrane, Nicholas Briggs | F♯ Minor | 4 | 11A | 128 BPM | ||
| Chapter 12 - Overcoming Bias - Building Authentic Relationships across Differences | Tiffany Jana, Matthew Freeman | A♭ Minor | 1 | 1A | 129 BPM | ||
| Lesson 8i | Kieran Ball | B♭ Minor | 1 | 3A | 125 BPM | ||
| Kapitel 62 - Flüchtiges Begehren - Commissario Brunetti, Band 30 | Donna Leon, Joachim Schönfeld | F Major | 0 | 7B | 171 BPM | ||
| Kapitel 35 - Die Hure des Königs / Historisches Erotik Hörbuch | Tessa Devon, Nathalie Délicieux, blue panther books | C Major | 3 | 8B | 118 BPM |