Come and Tear Down the Walls / I Surrender All - Live by REVERE, David & Nicole Binion, Lee University Singers Song Details

REVERE, David & Nicole Binion, Lee University Singers's 'Come and Tear Down the Walls / I Surrender All - Live' had a release date set for September 18, 2020. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Come and Tear Down the Walls / I Surrender All - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "REVERE". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Come and Tear Down the Walls / I Surrender All - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Come and Tear Down the Walls / I Surrender All - Live by REVERE, David & Nicole Binion, Lee University Singers having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.

Music Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

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