On June 1, 1996, the song "Saiya More Gawanwa Lihale Jala" was released by Madan Rai. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Nirgun Geet". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. In terms of popularity, Saiya More Gawanwa Lihale Jala is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Saiya More Gawanwa Lihale Jala by Madan Rai having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhej Mati Panghat | Gopal Rai | A♭ Major | 6 | 4B | 170 BPM | ||
| Sar Samale | Bhai Balwinder Singh Rangila | A♭ Major | 8 | 4B | 124 BPM | ||
| Ram Bhaj Ram Bhaj | Bhai Anantvir Singh Ji LA Wale | E♭ Minor | 6 | 2A | 78 BPM | ||
| अंगुरी में डंसले बिया नगिनिया | पुरबियाउस्ताद महेंदर मिसिर का पुरबी | Chandan Tiwari | F Minor | 8 | 4A | 78 BPM | ||
| Raja Banwa Dalo Baal Aise Me Lag Raho Bekar | JaiSingh Raja, Rani Kushwaha | F♯ Major | 8 | 2B | 151 BPM | ||
| Se Simre Jin Aap Simraye | Bhai Simranjit Singh Ji Hazoori Ragi Sri Darbar Sahib Amritsar | D♭ Major | 4 | 3B | 81 BPM | ||
| Rah Na Pata Seth | Satpal Dausa | A Minor | 7 | 8A | 126 BPM | ||
| Man Mamta Me Pagal Ho Gaya | Satpal Dosa, Mainpal Baseda | G Major | 5 | 9B | 134 BPM | ||
| Meri Daati Diyaan | Narendra Chanchal | B♭ Major | 5 | 6B | 167 BPM | ||
| Do Deewane Pyar Ke | Dinesh Nagar | D♭ Minor | 6 | 12A | 82 BPM | ||
| Darshan Diya Maa | Dilip Darbhangiya | F♯ Major | 7 | 2B | 142 BPM | ||
| Moye Le Gaye Patari Me | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM | ||
| Sacha Sahib Sad | Bhai Kuldeep Singh Ji | D Major | 7 | 10B | 142 BPM | ||
| Le Le Aih Humre Raja Ji | Devi | D♭ Major | 5 | 3B | 154 BPM | ||
| Ja Rahe Bajarang Bali | Jaysingh raja, Doli Rajpoot | F♯ Major | 6 | 2B | 82 BPM | ||
| Bheruji Latiyaala - Live | Asha Vaishnav | B♭ Major | 8 | 6B | 102 BPM | ||
| Men Toh Dhundat Dolun Hai Satguru Pyare Ki Nagaria | Radha Swami Satsang Dinod | B♭ Minor | 9 | 3A | 177 BPM | ||
| Ham Vechio Sir Gur Ke - Bhai Jagjit Singh Ji (Melbourne) | Kirtan Fi | E♭ Major | 7 | 5B | 116 BPM | ||
| Sau Kahait Hai Soora | Bhai Ranjit Singh Chandan | C Major | 8 | 8B | 140 BPM | ||
| Meri Preet Gobind Sio | Kirtan Fi, Bhai Jagdev Singh Ji (Paris) | B♭ Minor | 8 | 3A | 106 BPM | ||
| Vinity Parwan | Veer Sandeep Kular, Bhai Harbans Singh | C Major | 9 | 8B | 172 BPM | ||
| Sabh Ko Tere Vas | Bhai Inderjeet Singh Ji Khalsa | E♭ Major | 8 | 5B | 140 BPM | ||
| Dher Din Beeti Gayile | Madan Rai | E♭ Major | 6 | 5B | 82 BPM | ||
| Antarjami So Prab Poora | Bhai Sarabjit Singh Ji Patna Sahib Wale | D♭ Major | 7 | 3B | 102 BPM | ||
| Jindgi Me Jahar | Anupama Yadav, Golu Raja | E♭ Minor | 6 | 2A | 85 BPM |