"Where There Once Were Trees" by Andrew Giddings had its release date on August 20, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Where There Once Were Trees only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Where There Once Were Trees is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Where There Once Were Trees by Andrew Giddings has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Where There Once Were Trees being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What would you say | Art & Fishel, Harzi Shodat | E Minor | 5 | 9A | 204 BPM | ||
| The Secret Language Of Birds | Ian Anderson | E♭ Major | 4 | 5B | 94 BPM | ||
| The Quest | Jan Garbarek | G Minor | 1 | 6A | 86 BPM | ||
| Robes and Crowns - 2013 Remaster | Gordon Giltrap | F♯ Major | 3 | 2B | 117 BPM | ||
| Sauvie Island | Triona Ní Dhomhnaill | D Major | 1 | 10B | 151 BPM | ||
| My Lagan Love | Lisa Lynne, Aryeh Frankfurter | G Major | 2 | 9B | 101 BPM | ||
| Elspeth Of Nottingham | Focus | G Minor | 1 | 6A | 78 BPM | ||
| Scottish Suite: II. Parting Thistle | Anthony Phillips | D Major | 2 | 10B | 73 BPM | ||
| Shadowdance | Shadowfax | D♭ Major | 3 | 3B | 115 BPM | ||
| L'Eau De Mer | Friedemann | E Minor | 1 | 9A | 74 BPM | ||
| Spiral | Bozzio Levin Stevens, Tony Levin, Steve Stevens, Terry Bozzio | E Minor | 6 | 9A | 93 BPM | ||
| New Day, Pt. 1 - Remastered | Clepsydra | D Minor | 6 | 7A | 114 BPM | ||
| Dark Blue | Andrew Giddings | D♭ Major | 5 | 3B | 176 BPM | ||
| The Road Home | Steve Morse | A Major | 7 | 11B | 78 BPM | ||
| Still Small Voice - Previously Unreleased Bonus Track | Strawbs | A Minor | 2 | 8A | 136 BPM | ||
| Lake of Time | Andreas Vollenweider | B Major | 1 | 1B | 81 BPM | ||
| String Thing | Andrew Giddings | A♭ Minor | 3 | 1A | 88 BPM | ||
| Wond'ring Aloud | Ian Anderson | B♭ Major | 7 | 6B | 145 BPM | ||
| Hermes' Wedding | Andreas Vollenweider, Walter Keiser, Claudia Boggio, Symphonic Orchestra Zurich, Daniel Schweizer | A♭ Minor | 5 | 1A | 67 BPM | ||
| Tree In The Storm | Ralf Illenberger | F♯ Major | 5 | 2B | 140 BPM | ||
| Entering the Space Gates - Revisited | Karfagen | D Minor | 1 | 7A | 76 BPM | ||
| Mr. Peagram's Morris and Sword | Blackmore's Night | D♭ Major | 4 | 3B | 130 BPM | ||
| Soon | Jon Anderson, John Roy Anderson, David Palmer | C Major | 1 | 8B | 123 BPM | ||
| Pizzy Cat | Jean-Luc Ponty | A♭ Major | 1 | 4B | 117 BPM | ||
| Choosing A Farmer Part IV | The Lens | F Major | 6 | 7B | 126 BPM |