Anne Clark's ' "Nothing At All" was released on its scheduled release date, January 1, 1990. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Nothing At All's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anne Clark's "Joined Up Writing/The Sitting Room" album is number 1 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Nothing At All's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Nothing At All by Anne Clark to be Allegro (fast, quick, and bright) because the track has a tempo of 153 BPM, a half-time of 76BPM, and a double-time of 306 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Interference | John Watts | D Minor | 5 | 7A | 121 BPM | ||
| Echoes Remain Forever | Anne Clark | E Minor | 3 | 9A | 127 BPM | ||
| Aperitif De La Mort | Liaisons Dangereuses | D♭ Major | 3 | 3B | 118 BPM | ||
| Feurio! | Einstürzende Neubauten | G Major | 10 | 9B | 129 BPM | ||
| No | The Associates | A Major | 8 | 11B | 83 BPM | ||
| Style It Takes | Lou Reed, John Cale | C Major | 2 | 8B | 99 BPM | ||
| Hot Doggie - Remastered | Colourbox | G Major | 7 | 9B | 135 BPM | ||
| Today I Died Again - Remastered 2002 | Simple Minds | E Major | 8 | 12B | 208 BPM | ||
| Fire In My Head | Nits | C Major | 1 | 8B | 117 BPM | ||
| I Should Have Known Better - 2006 Remastered Version | Wire | A Major | 7 | 11B | 132 BPM | ||
| Youme & Meyou | Einstürzende Neubauten | F♯ Major | 4 | 2B | 130 BPM | ||
| Madam Butterfly (Un Bel Di Vedremo) | Malcolm McLaren | B Major | 7 | 1B | 102 BPM | ||
| Deep In Velvet | Phillip Boa And The Voodooclub | C Major | 5 | 8B | 122 BPM | ||
| Slow Pulse Boy | And Also The Trees | G Minor | 4 | 6A | 139 BPM | ||
| Hiroshima Mon Amour | Ultravox | C Major | 3 | 8B | 139 BPM | ||
| Inheritance | New Model Army | G Major | 6 | 9B | 95 BPM | ||
| Give Me a Gun | Lavvi Ebbel | B Minor | 8 | 10A | 145 BPM | ||
| Lost in Music | Anita Lane | C Major | 7 | 8B | 100 BPM | ||
| All Lined Up | Shriekback | C Major | 7 | 8B | 131 BPM | ||
| Fifty-Fifty Chance (Fifty Fifty) | Suzanne Vega | G Major | 2 | 9B | 135 BPM | ||
| The Soul Of Carmen Miranda | John Cale | C Major | 3 | 8B | 119 BPM | ||
| Hide And Seek | Howard Jones | D Minor | 5 | 7A | 90 BPM | ||
| Answer | Siglo xx | G Major | 9 | 9B | 130 BPM | ||
| The Last Song | Trisomie 21 | A Minor | 8 | 8A | 125 BPM | ||
| You | Boytronic | E Minor | 7 | 9A | 123 BPM |