Burkhard Dallwitz's ' "Closing Credits" was released on its scheduled release date, January 18, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "The Way Back (Original Motion Picture Soundtrack)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. In terms of popularity, Closing Credits is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Closing Credits by Burkhard Dallwitz having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Way Out | Universal Production Music | A Minor | 3 | 8A | 123 BPM | ||
| Torn Apart | Dave Hahnall | F Major | 1 | 7B | 100 BPM | ||
| The Name of the Rose | Volker Bertelmann | C Minor | 4 | 5A | 65 BPM | ||
| Lakes and Flamingos | BBC Concert Orchestra, Sarah Class, Elizabeth Purnell | C Major | 4 | 8B | 111 BPM | ||
| Barren Suite | Gabriel Yared | C Minor | 1 | 5A | 76 BPM | ||
| Médecin et les genoux | Stephen Warbeck | C Minor | 0 | 5A | 132 BPM | ||
| Train Journey | Stephen Warbeck | E Minor | 1 | 9A | 120 BPM | ||
| Midnight Special Theme | David Wingo | C Major | 1 | 8B | 100 BPM | ||
| The Carlton Crew | Burkhard Dallwitz | A Major | 7 | 11B | 105 BPM | ||
| Museum Flashback | Hannes De Maeyer, Ruben de Gheselle | D♭ Minor | 1 | 12A | 148 BPM | ||
| Irreversible | Jeroen Swinnen, David Martijn | C Minor | 1 | 5A | 67 BPM | ||
| Hope for the future | Brett Aplin, Burkhard Dallwitz | G Major | 2 | 9B | 135 BPM | ||
| The unsung heroes | Brett Aplin, Burkhard Dallwitz | G Major | 2 | 9B | 135 BPM | ||
| Warlord | Antonio Pinto | A Minor | 1 | 8A | 113 BPM | ||
| Transatlantic | Gavin Luke | A♭ Minor | 2 | 1A | 189 BPM | ||
| Whisper of a Thrill - From "Meet Joe Black" | The City of Prague Philharmonic Orchestra | D♭ Major | 1 | 3B | 112 BPM | ||
| Billboards On Fire | Carter Burwell | G Minor | 5 | 6A | 86 BPM | ||
| Long Live Sacred Germany | John Ottman | A Minor | 0 | 8A | 171 BPM | ||
| Premonition - Remastered | Armand Amar | F♯ Minor | 3 | 11A | 150 BPM | ||
| All the Great Philanthropists of Our Time Are Businessmen | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Murder at the Facility | Burkhard Dallwitz, Brett Aplin, Dmitri Golovko | C Major | 2 | 8B | 118 BPM | ||
| Black Minds | Liliya Kumar, Lofi Chills | A♭ Minor | 2 | 1A | 120 BPM | ||
| The Killing | Frans Bak, Josefine Cronholm | C Major | 6 | 8B | 115 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| Marshland | David Wingo, Ola Gjeilo | C Minor | 2 | 5A | 119 BPM |