Boney James's 'Lily' had a release date set for January 1, 1992. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Trust". In this album, this song's track order is #3. In terms of popularity, Lily is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lily by Boney James having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Step A Little Closer | Marion Meadows | A Minor | 8 | 8A | 90 BPM | ||
| Sassified | Lisa Addeo | G Major | 7 | 9B | 105 BPM | ||
| The Sax Pack | The Sax Pack | G Major | 7 | 9B | 99 BPM | ||
| Twilight | Randy Scott | B♭ Minor | 7 | 3A | 91 BPM | ||
| Shake You Up | Chris Standring | C Major | 6 | 8B | 120 BPM | ||
| When You Love Somebody | Nick Colionne | A♭ Minor | 7 | 1A | 80 BPM | ||
| Getting Close | Dan Siegel | D♭ Major | 6 | 3B | 89 BPM | ||
| Spooky | David Sanborn | C Minor | 5 | 5A | 92 BPM | ||
| Paradise | Norman Brown | A Minor | 5 | 8A | 77 BPM | ||
| Chopsticks | Jeff Lorber | E Minor | 8 | 9A | 96 BPM | ||
| Around 12:15 AM | Alex Bugnon | F Major | 7 | 7B | 98 BPM | ||
| After Party | David P Stevens | C Major | 7 | 8B | 88 BPM | ||
| Blue Touch | Gregg Karukas | F Major | 6 | 7B | 78 BPM | ||
| Ocean Breeze | Tim Bowman | A♭ Major | 7 | 4B | 93 BPM | ||
| Groove Love | Phillip Doc Martin | A♭ Minor | 5 | 1A | 79 BPM | ||
| Here With You | Brian Simpson | E♭ Minor | 7 | 2A | 94 BPM | ||
| Passion Fruit | Eric Knight, Jeff Lorber | E Minor | 8 | 9A | 88 BPM | ||
| Afterglow | Pamela Williams | F Minor | 6 | 4A | 114 BPM | ||
| In Motion | Jonathan Fritzén | B♭ Minor | 6 | 3A | 98 BPM | ||
| Undulation | Kayla Waters | D♭ Major | 6 | 3B | 110 BPM | ||
| Beauty Within | Dee Brown | F♯ Major | 7 | 2B | 140 BPM | ||
| It's Gonna Be Alright | Steve Cole | A Minor | 7 | 8A | 171 BPM | ||
| Gonna' Miss You | Mike Phillips | F Major | 7 | 7B | 95 BPM | ||
| Straight to the Heart | Brian Culbertson | E♭ Major | 4 | 5B | 124 BPM | ||
| Midnight in San Juan | Earl Klugh | G Minor | 5 | 6A | 120 BPM |