On February 27, 2021, the song "Hari Ko Maat Sikhave Chalna" was released by Ravindra Jain, Hemlata, Mohammed Aziz. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ravindra Jain's "Krishna Bhajan, Vol. 6 - Krishna Kanhaiya Jasoda Ke Ghar" album is number 10 out of 12. On top of that, India appears to be the country where this track was created. Hari Ko Maat Sikhave Chalna is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Hari Ko Maat Sikhave Chalna by Ravindra Jain, Hemlata, Mohammed Aziz to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Barsa Barsa | Alka Yagnik, Mohammed Aziz | A Minor | 7 | 8A | 80 BPM | ||
| Gar Khuda Rooth Jaye To Sajda Karun | Mano | E♭ Major | 7 | 5B | 139 BPM | ||
| Tum Aaj Mere Sang Hans Lo | Mukesh | A♭ Minor | 5 | 1A | 89 BPM | ||
| Mat Piyo Mere Chhaila Tambakudi | Leela Pawar, Master Amritlal | F♯ Minor | 2 | 11A | 76 BPM | ||
| Zulfon Ke Mahkte Saye Hai | Asha Bhosle | A♭ Major | 4 | 4B | 89 BPM | ||
| Dwarika Ko Pranam Dwarikadheesh Ko Pranam | Ravindra Jain, Satish Dehra | F Major | 3 | 7B | 88 BPM | ||
| Thandi Hawa Kali Ghata | Geeta Dutt, O. P. Nayyar | G Minor | 6 | 6A | 155 BPM | ||
| Meri Yaad Mein Tum Na Ansoo Bahana - Film - Madhosh With Commentry | Talat Mahmood, Ameen Sayani, Madan Mohan | C Minor | 3 | 5A | 145 BPM | ||
| Mana Kanton Se Bhari | Mohammed Aziz, Laxmikant–Pyarelal | B♭ Minor | 5 | 3A | 74 BPM | ||
| Samne Aaj Donon Jahan Ke Aa | Suman Kalyanpur, Mohammed Rafi, Laxmikant–Pyarelal | A♭ Major | 4 | 4B | 202 BPM | ||
| Chhota Sa Balma - Revival | Asha Bhosle | A♭ Major | 5 | 4B | 89 BPM | ||
| Samay Bada Balwan Re | Anup Jalota | D♭ Major | 5 | 3B | 118 BPM | ||
| Sakhi Dhan Dhan Bhag Humare Barati Dvare Padhare | Ravindra Jain | B♭ Major | 5 | 6B | 91 BPM | ||
| Aei Mere Doston | Anu Malik, Mohammed Aziz | A♭ Minor | 8 | 1A | 129 BPM | ||
| Yeh Din Din Hai Khushi Ke | Suman Kalyanpur, Manna Dey | E♭ Major | 4 | 5B | 130 BPM | ||
| Ek But Se Mohabbat Karke | K. J. Yesudas | D Minor | 6 | 7A | 81 BPM | ||
| Ek Duje Ko Nirkhat Mann Na Aghay | Arun Dangle, Hemlata | A Minor | 2 | 8A | 147 BPM | ||
| Aukat Meri Kya Hai | Bappi Lahiri | A Major | 6 | 11B | 89 BPM | ||
| Soja Soja Chandni | M.G.Shreekumar | C Major | 5 | 8B | 108 BPM | ||
| Mera Ban Jaye Koi | Mohammed Rafi | A♭ Major | 7 | 4B | 75 BPM | ||
| Lai Hayat Aye Qazal - E - Chali Chal | Bhupinder Singh | B♭ Major | 4 | 6B | 156 BPM | ||
| Dil Jo Na Keh Saka - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | A♭ Major | 7 | 4B | 106 BPM | ||
| Leke Dil Mein Pyar Aaye | Asha Bhosle | F Major | 2 | 7B | 118 BPM | ||
| Radha Ke Manmeet Saanware - Original | Anup Jalota & Lalitya Munshaw | F♯ Minor | 5 | 11A | 132 BPM | ||
| Tu Hi Sagar Tu Hi Kinara Pt. 1 | Sulakshana Pandit | A♭ Major | 4 | 4B | 124 BPM |