Ned Rorem, Carolyn Enger's 'Piano Album I: 19 Measures for Jim' had a release date set for October 1, 2013. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Rorem: Piano Album I & Six Friends". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Piano Album I: 19 Measures for Jim's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Album I: 19 Measures for Jim by Ned Rorem, Carolyn Enger having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | D Minor | 1 | 7A | 77 BPM | ||
| 3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
| The Nightmare Song | Olive the Otter Dog | B Major | 0 | 1B | 166 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Les chansons des roses: V. Dirait-on | Morten Lauridsen, Polyphony, Stephen Layton | D♭ Major | 0 | 3B | 132 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: 1. Hymn to the Dawn (arr. J. Lloyd Webber for 4 cellos and harp) | Gustav Holst, Julian Lloyd Webber, Jiaxin Lloyd Webber, Guy Johnston, Laura van der Heijden, Catrin Finch | G Major | 1 | 9B | 85 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | D Minor | 1 | 7A | 77 BPM | ||
| To the Willow Tree | Ned Rorem | A Minor | 2 | 8A | 69 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: V. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | B♭ Major | 0 | 6B | 115 BPM | ||
| Te Deum: Te gloriosus Apostolorum chorus | Henrik Ødegaard, Trad., Ensemble 96, Nina T. Karlsen | D Minor | 1 | 7A | 77 BPM | ||
| Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM | ||
| Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 111 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| Scenes de la foret, Op. 123: No. 1, Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | A♭ Major | 0 | 4B | 60 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Air à danser, Op. 164 | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 67 BPM | ||
| Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, John Rutter, Manchester Camerata, David Tollington | G Major | 0 | 9B | 71 BPM | ||
| Clairières dans le ciel: No. 1, Elle était descendue au bas de la prairie | Lili Boulanger, Julie Roset, Susan Manoff | D Minor | 1 | 7A | 77 BPM | ||
| Trittico Botticelliano: No. 3, La nascita di Venere | Ottorino Respighi, Bamberg Symphony, Riccardo Frizza | D Minor | 1 | 7A | 77 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
| Petit Quatour pour Saxophones - Arr. Rainer Schottstadt: 2. Cantilène | Jean Françaix, The Clarinotts | F Minor | 0 | 4A | 134 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | G Major | 0 | 9B | 88 BPM |