"And to Posterity a Plague" by Neaera had its release date on April 12, 2011. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 12 in Forging the Eclipse by Neaera. Based on our statistics, And to Posterity a Plague's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of And to Posterity a Plague by Neaera is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time Takes Us All | Kalmah | E Minor | 9 | 9A | 124 BPM | ||
| Secondary Effects | Darkane | B Major | 10 | 1B | 122 BPM | ||
| Welcome to Reality | Deserted Fear | E Minor | 10 | 9A | 160 BPM | ||
| Nightwanderer | Nyktophobia | F Major | 10 | 7B | 165 BPM | ||
| Funeral of the Earth | Deserted Fear | F♯ Minor | 10 | 11A | 160 BPM | ||
| The Destroyer | Himsa | A♭ Major | 10 | 4B | 95 BPM | ||
| Against the Grain | In Vain | G Major | 9 | 9B | 120 BPM | ||
| Blood in the Throne Room | Anterior | B♭ Major | 10 | 6B | 160 BPM | ||
| Where the Wolves Come to Die | Sylosis | B Major | 10 | 1B | 176 BPM | ||
| Bird Of Ill Omen | Kalmah | D Minor | 10 | 7A | 105 BPM | ||
| On Second Thought | Words Of Farewell | D♭ Major | 10 | 3B | 127 BPM | ||
| Metus Odium | Evocation | E Major | 10 | 12B | 154 BPM | ||
| Down That Line | Act of Denial | F♯ Minor | 10 | 11A | 117 BPM | ||
| Terminus (Where Death is Most Alive) | Dark Tranquillity | E Minor | 10 | 9A | 110 BPM | ||
| Tyranny | Anterior | A♭ Major | 10 | 4B | 95 BPM | ||
| From the Blind | Dååth | C Major | 10 | 8B | 204 BPM | ||
| Strength And Valour | Wolfheart | D Major | 10 | 10B | 130 BPM | ||
| I. The Hunter | Walls of Jericho | F♯ Minor | 10 | 11A | 96 BPM | ||
| Pacifier | Neaera | E Major | 9 | 12B | 162 BPM | ||
| Where There Is Fire We Will Carry Gasoline | Evergreen Terrace | D♭ Minor | 10 | 12A | 95 BPM | ||
| Pitch-Black Universe | Before The Dawn | F Major | 10 | 7B | 125 BPM | ||
| Working Class Zero | Illdisposed | F Minor | 10 | 4A | 100 BPM | ||
| Echos | The Absence | E Minor | 10 | 9A | 142 BPM | ||
| In Abhorrence | Nightrage | G Major | 10 | 9B | 91 BPM | ||
| Deatholution | Hackneyed | B♭ Minor | 9 | 3A | 100 BPM |