H.M.S. Pinafore, Act I: Recitative and Aria. I'm Called Little Buttercup
Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Felicity Palmer
Gilbert & Sullivan: H.M.S. Pinafore
2:11 October 25, 1994
BPM
112
Key
E Major
Camelot
12B

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H.M.S. Pinafore, Act I: Recitative and Aria. I'm Called Little Buttercup by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Felicity Palmer Song Details

"H.M.S. Pinafore, Act I: Recitative and Aria. I'm Called Little Buttercup" by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Felicity Palmer had its release date on October 25, 1994. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. H.M.S. Pinafore, Act I: Recitative and Aria. I'm Called Little Buttercup's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, Welsh National Opera Chorus, Welsh National Opera Orchestra, Sir Charles Mackerras, Richard Stuart, Thomas Allen, Michael Schade, Rebecca Evans, Felicity Palmer, Donald Adams, Richard van Allan's "Gilbert & Sullivan: H.M.S. Pinafore" album is number 3 out of 27. On top of that, United States appears to be the country where this track was created. In terms of popularity, H.M.S. Pinafore, Act I: Recitative and Aria. I'm Called Little Buttercup is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of H.M.S. Pinafore, Act I: Recitative and Aria. I'm Called Little Buttercup by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Felicity Palmer to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Music Key

E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-21.337 dB
Acousticness
97%
Danceability
36%
Energy
12%
Instrumentalness
0%
Liveness
16%
Loudness
64%
Speechiness
5%
Valence
4%

Recommendations

An error has occurred while fetching the recommendations and the harmonic matches for this track. Please try again.

ISRC
USTE10706374
Label
L-M Records/RCA Records