"No Place Else" by Jeff Rona had its release date on January 1, 2007. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Sharkwater". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. No Place Else is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With No Place Else by Jeff Rona having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Journey to Rome, Pt. 1 | Jeff van Dyck, Angela van Dyck | C Major | 1 | 8B | 78 BPM | ||
| The Way of the Ghost | Ilan Eshkeri | G Minor | 2 | 6A | 114 BPM | ||
| Transcendent | Joel Nielsen | C Major | 5 | 8B | 74 BPM | ||
| Divine Bloodlines Reprise (feat. Ari Mason) | Trevor Morris, Trey Toy, Ari Mason | C Minor | 1 | 5A | 83 BPM | ||
| Journey to Rome, Pt. 2 | Jeff van Dyck, Angela van Dyck | C Major | 8 | 8B | 100 BPM | ||
| No Mercy | Ilan Eshkeri | A♭ Major | 5 | 4B | 95 BPM | ||
| Utai IV: Reawakening | Kenji Kawai | C Minor | 4 | 5A | 110 BPM | ||
| Druth | David García Díaz | D Minor | 1 | 7A | 69 BPM | ||
| Leaving Earth | Clint Mansell | E Minor | 3 | 9A | 39 BPM | ||
| All Men Can Be Broken | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| From Man to God King | Junkie XL | F Minor | 3 | 4A | 80 BPM | ||
| Omen | SIE Sound Team | B♭ Major | 1 | 6B | 130 BPM | ||
| Opening Credits | Michael McCann | G Major | 8 | 9B | 134 BPM | ||
| Really Pissed Off (End Credits) | Tyler Bates, Joel J. Richard | G Major | 7 | 9B | 175 BPM | ||
| Ozar Midrashim | Information Society | F♯ Minor | 7 | 11A | 108 BPM | ||
| Been Good To Know Ya | Marcin Przybyłowicz | F Major | 4 | 7B | 140 BPM | ||
| Helig | John Lunn, Eivør | B♭ Minor | 3 | 3A | 102 BPM | ||
| The Best Is Yet To Come | Aoife Ni Fhearraigh | G Major | 4 | 9B | 128 BPM | ||
| The Final Combat | Stuart Chatwood | A♭ Major | 9 | 4B | 136 BPM | ||
| The Forge of Hephaestus | Mike Reagan | B Major | 2 | 1B | 66 BPM | ||
| A Land of War and Poetry (feat. Jeremy Soule) | Brad Derrick, Jeremy Soule | A Minor | 5 | 8A | 100 BPM | ||
| Three Hearts | Atticus Ross, Leopold Ross, Nick Chuba | A Minor | 5 | 8A | 110 BPM | ||
| Voltaic Black Knight | Yoshiya Terayama | D Major | 10 | 10B | 115 BPM | ||
| Hope Runs Deep | Steve Jablonsky | A♭ Major | 3 | 4B | 76 BPM | ||
| Test of Loyalty | P.T. Adamczyk | D♭ Major | 9 | 3B | 140 BPM |