Kome Kome Club's ' "KOME KOME WAR(THE LAST SYMPOSIUM〜米米CLUB ラスト・ライヴ in 東京ドーム〜)" was released on its scheduled release date, 1997. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "THE LAST SYMPOSIUM〜米米CLUB ラスト・ライヴ in 東京ドーム〜". In this album, this song's track order is #37. Furthermore, we believe that the track originated from Japan. Based on our statistics, KOME KOME WAR(THE LAST SYMPOSIUM〜米米CLUB ラスト・ライヴ in 東京ドーム〜)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With KOME KOME WAR(THE LAST SYMPOSIUM〜米米CLUB ラスト・ライヴ in 東京ドーム〜) by Kome Kome Club having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ラストシーン | HOTEI | B Minor | 9 | 10A | 203 BPM | ||
| サヨナラ | GAO | E♭ Major | 8 | 5B | 113 BPM | ||
| 家 (うち)に帰ろう (マイ・スイート・ホーム) | Mariya Takeuchi | D Major | 9 | 10B | 124 BPM | ||
| 負けないで | ZARD | G Major | 9 | 9B | 126 BPM | ||
| STOP MOTION | Maki Ohguro | G Major | 9 | 9B | 103 BPM | ||
| 時代 | 中島みゆき | D♭ Major | 3 | 3B | 114 BPM | ||
| 夏の扉 | Seiko Matsuda | B Minor | 7 | 10A | 155 BPM | ||
| 今すぐKiss Me | LINDBERG | E Major | 9 | 12B | 174 BPM | ||
| CRAZY GONNA CRAZY | TRF | D Major | 8 | 10B | 132 BPM | ||
| シングルベッド | Sharam Q | D♭ Major | 5 | 3B | 82 BPM | ||
| BE TOGETHER | TM NETWORK | B Major | 9 | 1B | 130 BPM | ||
| 渡良瀬橋 | Chisato Moritaka | C Major | 6 | 8B | 154 BPM | ||
| 19 GROWING UP -ode to my buddy- | PRINCESS PRINCESS | F♯ Major | 9 | 2B | 132 BPM | ||
| 今すぐKiss Me | LINDBERG | E Major | 8 | 12B | 171 BPM | ||
| いつのまにか | Kome Kome Club | B Major | 2 | 1B | 107 BPM | ||
| True Love | Fumiya Fujii | D♭ Major | 3 | 3B | 102 BPM | ||
| HIGH PRESSURE | T.M.Revolution | D♭ Major | 10 | 3B | 131 BPM | ||
| Child's days memory | Kome Kome Club | C Major | 7 | 8B | 121 BPM | ||
| 夏の日の1993 | class | D♭ Major | 7 | 3B | 95 BPM | ||
| 女ぎつね on the Run | BARBEE BOYS | A♭ Minor | 9 | 1A | 133 BPM | ||
| Over Drive | JUDY AND MARY | G Major | 7 | 9B | 148 BPM | ||
| 言えずのI LOVE YOU | KAN | A Major | 8 | 11B | 123 BPM | ||
| くじら12号 | JUDY AND MARY | C Major | 9 | 8B | 125 BPM | ||
| ずっと好きだった | Kazuyoshi Saito | B♭ Major | 9 | 6B | 128 BPM | ||
| TSUNAMI | サザンオールスターズ | D Major | 7 | 10B | 91 BPM |