Gottlieb Muffat, Mitzi Meyerson's ' "Suite No. 5 in D Minor, R. 118-125: IV. Sarabande, R. 121" was released on its scheduled release date, January 1, 2009. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gottlieb Muffat, Mitzi Meyerson's "Muffat, G.: Componimenti Musicali Per Il Cembalo" album is number 4 out of 51. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Suite No. 5 in D Minor, R. 118-125: IV. Sarabande, R. 121's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite No. 5 in D Minor, R. 118-125: IV. Sarabande, R. 121 by Gottlieb Muffat, Mitzi Meyerson to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata a 4 in A minor - Largo - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | A♭ Minor | 2 | 1A | 128 BPM | ||
| Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Couperin, L: Suite en ré: III. Courante, G. 42 | Louis Couperin, Jean Rondeau | G Minor | 2 | 6A | 84 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Soft Music on the Rocks | Henry Purcell, Musicians Of The Globe, Philip Pickett | F♯ Minor | 0 | 11A | 81 BPM | ||
| III. Largo | Francesco Barsanti, Dan Laurin, Parnassus Avenue | D♭ Minor | 1 | 12A | 122 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 60 BPM | ||
| Sonata in G Minor, No. 5: II. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 100 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853 | Luc Beauséjour | G Minor | 2 | 6A | 89 BPM | ||
| Keyboard Sonata No. 15 in D Minor: Harpsichord Sonata No. 15 in D Minor | Antonio Soler, Gilbert Rowland | D♭ Minor | 5 | 12A | 111 BPM | ||
| Partita B43 in D Minor: IV. Gavotte en Rondeau (Moderato) | Gottlieb Muffat, Roberto Loreggian | C Major | 2 | 8B | 80 BPM | ||
| Passacaglia in D Minor | Johann Caspar Ferdinand Fischer, Trevor Pinnock | D♭ Minor | 4 | 12A | 109 BPM | ||
| Sonata for Violin and Continuo in C Minor, BWV 1024: I. Adagio | Anonymous, Isabelle Faust, Kristin von der Goltz, Kristian Bezuidenhout | F♯ Minor | 3 | 11A | 105 BPM | ||
| Partie 5 en ut majeur: Aria | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Major | 2 | 1B | 100 BPM | ||
| Suite No.1: La Couperin - Arr. Jean-Baptiste-Antoine Forqueray, for solo harpsichord | Antoine Forqueray, Margaret Little, Christophe Gauthier | D♭ Minor | 2 | 12A | 94 BPM | ||
| Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
| Suite in A minor, for Recorder, Strings & Continuo, TWV 55:a2: Passepied I-II | Georg Philipp Telemann, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | A Minor | 0 | 8A | 108 BPM | ||
| Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 142 BPM | ||
| Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 3 | 12A | 115 BPM | ||
| Symphony No. 5 in C Major: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Minor | 1 | 8A | 159 BPM | ||
| Sonata for 4 Violins in C Major, TWV 40:203: III. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | B Major | 0 | 1B | 118 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 2 | 10B | 114 BPM | ||
| Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM | ||
| Concerto grosso in E Minor, Op. 6 No. 3, HWV 321: IV. Polonaise. Andante | George Frideric Handel, Boston Baroque, Martin Pearlman, Daniel Stepner, Julie Leven, Karen Kaderavek | F♯ Major | 0 | 2B | 82 BPM |