Jason Morrow's ' "F Jam" was released on its scheduled release date, October 7, 2022. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jason Morrow's "I Keep Reaching for Dad's Saxophone" album is number 6 out of 11. Based on our statistics, F Jam's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of F Jam by Jason Morrow to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Free and Wild | Daisy Brown | B♭ Minor | 4 | 3A | 109 BPM | ||
| Smoldering Hush | Slow Smoke Blues | E Minor | 4 | 9A | 82 BPM | ||
| Redemption | Yugen Maestro | E Minor | 3 | 9A | 90 BPM | ||
| Shadow Platform | Cobalt Stories | G Minor | 4 | 6A | 107 BPM | ||
| Coming Across the Bridge (alternative intro & mix) | Jason Morrow | F Major | 7 | 7B | 80 BPM | ||
| Shallow Light | Midnight Blues | E Minor | 4 | 9A | 82 BPM | ||
| Into to the Unknow | Harry Manx | C Major | 3 | 8B | 80 BPM | ||
| Swift | Dust Follows | A Major | 5 | 11B | 124 BPM | ||
| Hayfork Meadow | Nordic Numa | F Minor | 2 | 4A | 89 BPM | ||
| When Angels Cry | Antonio Orrico | E Minor | 4 | 9A | 82 BPM | ||
| Canvas Patch | Circle Blues Project | E♭ Major | 3 | 5B | 77 BPM | ||
| Light And Shadows Again | Adam Miller | G Major | 1 | 9B | 87 BPM | ||
| Curtain Call | Midnight Blues | E Minor | 3 | 9A | 132 BPM | ||
| Susurros en la piel | Qyroza | E Minor | 2 | 9A | 106 BPM | ||
| My Blues | Tom Media | B♭ Major | 2 | 6B | 116 BPM | ||
| Turnstile Arm | Nordic Numa | E Minor | 2 | 9A | 81 BPM | ||
| Hessian Strap | Snowlight Jazz Club | C Major | 4 | 8B | 160 BPM | ||
| We're Heading North | Berdon Kirksaether | D Major | 1 | 10B | 126 BPM | ||
| Shall I Stay? | Open Studio | B♭ Minor | 5 | 3A | 117 BPM | ||
| Safe in Sound | Vestbo Trio | D Major | 3 | 10B | 85 BPM | ||
| Brown Chimney | Cobalt Stories | F Minor | 3 | 4A | 143 BPM | ||
| Coming Across the Bridge | Jason Morrow | F Major | 7 | 7B | 80 BPM | ||
| Midnight Sun Groove | AI Creations | D Major | 2 | 10B | 123 BPM | ||
| Delilah | Wilson Harwood | E Minor | 4 | 9A | 82 BPM | ||
| Got to Be You | The Bros. Landreth | D Major | 3 | 10B | 78 BPM |