"Nothing Left to Say" by Katie Garfield had its release date on March 6, 2020. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Nothing Left to Say and no other songs are present in the album, we classify this track as a single. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Nothing Left to Say's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nothing Left to Say by Katie Garfield having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| American Animal | Katie Garfield | G Major | 6 | 9B | 118 BPM | ||
| Love Like Ours | Aron Wright | E Minor | 4 | 9A | 206 BPM | ||
| Kingdom | Røyale | F Minor | 6 | 4A | 141 BPM | ||
| Heroes Heathens Angels Demons | ELIA EX | D Minor | 6 | 7A | 160 BPM | ||
| Wandering In The Dark | Ursine Vulpine, Annaca | C Major | 3 | 8B | 136 BPM | ||
| Atonement | Denmark + Winter | D♭ Major | 7 | 3B | 80 BPM | ||
| Triggered | biz colletti, Hustle Standard | B Minor | 5 | 10A | 142 BPM | ||
| Shine | JPOLND | F♯ Major | 4 | 2B | 148 BPM | ||
| Darkness Inside | Astyria | D♭ Major | 5 | 3B | 76 BPM | ||
| Beautiful Regret | Emma Zander | D Major | 8 | 10B | 140 BPM | ||
| Last Mistake | Rob Cass, Joseph Taylor | G Major | 4 | 9B | 80 BPM | ||
| Here Right Now | Lindsey Ray | D♭ Major | 0 | 3B | 67 BPM | ||
| Lost With You | Raye Zaragoza, Viv Parker | A Minor | 5 | 8A | 163 BPM | ||
| Hungry for You | Katie Garfield | F♯ Minor | 7 | 11A | 114 BPM | ||
| Who's Gonna Fix It | Daniel Farrant, Nick Kingsley | E♭ Minor | 7 | 2A | 100 BPM | ||
| How Villains Are Made | Madalen Duke | E Minor | 4 | 9A | 80 BPM | ||
| Something Real | Roses & Revolutions | G Major | 2 | 9B | 112 BPM | ||
| Curtain Call | Chandler Leighton | D Major | 2 | 10B | 85 BPM | ||
| Wash Over Me | Katie Garfield | D Major | 1 | 10B | 68 BPM | ||
| I Do Too | Rupert Pope, John Robertson, Eller | D♭ Minor | 5 | 12A | 143 BPM | ||
| Dare | Prong Praison | F Minor | 6 | 4A | 120 BPM | ||
| Burn for You | Nine One One | D Major | 2 | 10B | 59 BPM | ||
| Who Will Save You | Katie Garfield, Obeds | B♭ Minor | 5 | 3A | 78 BPM | ||
| Stars Fade out (And We Will Too) | FVR DRMS | A Major | 5 | 11B | 172 BPM | ||
| Trouble Never Looked So Good | Katie Garfield | C Minor | 9 | 5A | 134 BPM |