Arthur Miller, Emily Bergl, Kevin Chamberlin, Tim DeKay, James Gammon, Lee Garlington, Graham Hamilton, Tom McGowan, Kurtwood Smith, Russell Soder, Tegan West, James Farentino, Arye Gross, Julie Harris, Mitchell Hebert, Naomi Jacobson, Barbara Klein, Paul Morella, Michaeleen O'Neil, Nathan Taylor, Jerry Whiddon, Steven Culp, Maureen Flannigan, Jason Henning, Jane Kaczmarek, Stacy Keach, Sam McMurray, Kathryn Meisle, Tim Monsion, John Sloan, Kate Steele, Kenneth Alan Williams, Irene Aranga, Rene Auberjonois, Ed Begley Jr., Bud Cort, Richard Dreyfuss, Judyann Elder, Hector Elizondo, Fionnula Flanagan, Ann Hearne, Carol Kane, Joe Spano, Michael York, Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O'Neill's ' "Chapter 174 - The Arthur Miller Collection" was released on its scheduled release date, August 15, 2011. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 359 in the song's album "The Arthur Miller Collection". In this album, this song's track order is #84. Furthermore, we believe that the track originated from Germany. Chapter 174 - The Arthur Miller Collection is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Chapter 174 - The Arthur Miller Collection by Arthur Miller, Emily Bergl, Kevin Chamberlin, Tim DeKay, James Gammon, Lee Garlington, Graham Hamilton, Tom McGowan, Kurtwood Smith, Russell Soder, Tegan West, James Farentino, Arye Gross, Julie Harris, Mitchell Hebert, Naomi Jacobson, Barbara Klein, Paul Morella, Michaeleen O'Neil, Nathan Taylor, Jerry Whiddon, Steven Culp, Maureen Flannigan, Jason Henning, Jane Kaczmarek, Stacy Keach, Sam McMurray, Kathryn Meisle, Tim Monsion, John Sloan, Kate Steele, Kenneth Alan Williams, Irene Aranga, Rene Auberjonois, Ed Begley Jr., Bud Cort, Richard Dreyfuss, Judyann Elder, Hector Elizondo, Fionnula Flanagan, Ann Hearne, Carol Kane, Joe Spano, Michael York, Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O'Neill having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Flood Abates | Bible Dreaming | D♭ Major | 7 | 3B | 120 BPM | ||
| Taken My Heart | ShowBoy | G Major | 1 | 9B | 112 BPM | ||
| The Extasie | Richard Burton | A Minor | 2 | 8A | 109 BPM | ||
| Charles Reporting | Charles Bukowski | F Minor | 6 | 4A | 125 BPM | ||
| Daybreak | Lady Glue | D♭ Major | 1 | 3B | 49 BPM | ||
| Ode to Melancholy | Robert Donat | A♭ Major | 1 | 4B | 93 BPM | ||
| Butty Port | Children's Bedtime Stories | B Minor | 1 | 10A | 117 BPM | ||
| The Violence vs. Non-Violence Debate | Martin Luther King, Jr. | F♯ Major | 4 | 2B | 128 BPM | ||
| Sonria Ya Segunda Parte | Tangalanga | F Major | 4 | 7B | 78 BPM | ||
| In Case Of Emergency | Toby Lurie | D♭ Minor | 2 | 12A | 71 BPM | ||
| Childhood Perspective (Dick) | Rob Crean | F Major | 4 | 7B | 103 BPM | ||
| Lessons Learned in Moscow 17 | Rabbi Yoel Ferber | F Minor | 4 | 4A | 77 BPM | ||
| DONT BE LEFT BEHIND | DIVINELY APPOINTED | F♯ Major | 0 | 2B | 110 BPM | ||
| The Hitchhiker | Grim Reaper Players, Ingrid McNeely, Rose McNeely, Tom Joyal, Harry Whitaker, Maria Casler, Uncle Guts | A♭ Major | 4 | 4B | 83 BPM | ||
| Stitches | Momenee | F Minor | 1 | 4A | 121 BPM | ||
| Chapter 3.3 - Animal Farm | George Orwell | E♭ Major | 3 | 5B | 76 BPM | ||
| Off Me | Label voice | B Minor | 4 | 10A | 75 BPM | ||
| Fairytale Worlds, Pt. 7 | Paul the Dreamtraveler | C Major | 2 | 8B | 96 BPM | ||
| Croissants | Nik_Poetry | D♭ Minor | 2 | 12A | 82 BPM | ||
| The Festival | HorrorBabble | F♯ Major | 3 | 2B | 82 BPM | ||
| Track 43 | Mega Snow | A♭ Minor | 0 | 1A | 57 BPM | ||
| Dreams | Langston Hughes | D Major | 1 | 10B | 171 BPM | ||
| Dance At the Palace, Pt. 5 | Paul the Dreamtraveler | C Major | 2 | 8B | 106 BPM | ||
| Against His Judgement | Robert Grant | D♭ Major | 1 | 3B | 73 BPM | ||
| A Bone And A Bean | Priscilla Howe | A Minor | 1 | 8A | 112 BPM |