Gaetano Donizetti, Daryl Griffith, The City of Prague Philharmonic Orchestra's ' "Donizetti Variations (Arr. Irving & March): Allegretto III" was released on its scheduled release date, January 1, 2002. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 32 in British By Arrangement by Gavin Sutherland, The City of Prague Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Donizetti Variations (Arr. Irving & March): Allegretto III's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Donizetti Variations (Arr. Irving & March): Allegretto III by Gaetano Donizetti, Daryl Griffith, The City of Prague Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
| Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena seconda: No, l'acciar non fu spietato (Severo/Coro) | Gaetano Donizetti, Salvatore Cammarano, Ettore Bastianini, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E Major | 5 | 12B | 105 BPM | ||
| Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
| Adriana Lecouvreur (1997 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Philharmonia Orchestra, Tullio Serafin | A♭ Major | 1 | 4B | 80 BPM | ||
| Rossini: Petite messe solennelle: II. Gloria, 4. Domine Deus (Tenor). Allegro giusto | Gioachino Rossini, Antonio Pappano | F Major | 1 | 7B | 81 BPM | ||
| Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM | ||
| Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
| L'elisir d'amore / Act 2: "Saria possibile?" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 125 BPM | ||
| La Vestale (1997 Digital Remaster): O nome tutelar | Gaspare Spontini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Major | 1 | 10B | 93 BPM | ||
| Rossini: Il barbiere di Siviglia, Act 1: "Dunque io son" (Figaro, Rosina) | Gioachino Rossini, Maria Callas, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 1 | 9B | 124 BPM | ||
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | ||
| La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
| La Cenerentola / Act 2: "Sì, ritrovarla io giuro" | Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
| Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Lucia Popp, Tom Krause, Vienna Haydn Orchestra, István Kertész | A Major | 3 | 11B | 96 BPM | ||
| La Cenerentola / Act 1: "Ah! se velata ancor...Sprezzo quei don...Parlar, pensar" | Gioachino Rossini, Cecilia Bartoli, William Matteuzzi, Alessandro Corbelli, Fernanda Costa, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B Minor | 3 | 10A | 70 BPM | ||
| Stabat Mater: 3. Quis est homo qui non fleret | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Philharmonia Orchestra, Carlo Maria Giulini | E Major | 1 | 12B | 72 BPM | ||
| "Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM | ||
| Don Pasquale: Quel guardo il cavaliere ... So anch'io la virtù magica | Gaetano Donizetti, Nadine Sierra, Les Frivolités Parisiennes, Giacomo Sagripanti | D♭ Major | 2 | 3B | 82 BPM | ||
| Offenbach: Orphée aux enfers, Act 2: Chœur infernal. "Vive le vin ! Vive Pluton !" (Chœur) | Jacques Offenbach, Marc Minkowski, Chœur de l’Opéra de Lyon, Orchestre de Chambre de Grenoble, Orchestre de l'Opéra de Lyon | C Major | 4 | 8B | 87 BPM | ||
| L'elisir d'amore, Act. I - Quanto è bella quanto è cara | Gaetano Donizetti, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | C Major | 3 | 8B | 70 BPM |