"String Quartet in G Minor, Op. 10: IV. Très modéré - Très animé" by Claude Debussy, Quatuor Ébène had its release date on January 21, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 30 out of 50 in Debussy - Thursday Evening by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. String Quartet in G Minor, Op. 10: IV. Très modéré - Très animé is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of String Quartet in G Minor, Op. 10: IV. Très modéré - Très animé by Claude Debussy, Quatuor Ébène is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 2, Sz. 112: II. Andante tranquillo | Béla Bartók, Patricia Kopatchinskaja, Peter Eötvös, Frankfurt Radio Symphony Orchestra | G Major | 0 | 9B | 114 BPM | ||
| Kodály: Duo for Violin and Cello, Op. 7: II. Adagio (Live at Saratoga Performing Arts Centre, 1998) | Zoltán Kodály, Truls Mørk, Chantal Juillet | G Major | 0 | 9B | 96 BPM | ||
| Piano Sonata No. 1 in F minor, Op. 6: 4. Funebre | Alexander Scriabin, Vladimir Ashkenazy | A♭ Major | 1 | 4B | 135 BPM | ||
| Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | B Minor | 1 | 10A | 100 BPM | ||
| Plan & Elevation: II. The Cutting Garden | Caroline Shaw, Attacca Quartet | A Minor | 1 | 8A | 144 BPM | ||
| Cello Concerto No.1, Op.107: 2. Moderato | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Major | 0 | 9B | 130 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, François-René Duchâble, Jean-Philippe Collard, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| Études: No. 13 | Philip Glass, Víkingur Ólafsson | A Minor | 2 | 8A | 79 BPM | ||
| Abschied, S. 251 | Franz Liszt, Alexei Lubimov | A Minor | 0 | 8A | 77 BPM | ||
| Grieg: Cello Sonata in A Minor, Op. 36: I. Allegro agitato | Edvard Grieg, Truls Mørk, Håvard Gimse | D♭ Major | 1 | 3B | 121 BPM | ||
| Ravel: String Quartet, M. 35: II. Assez vif - Très rythmé | Maurice Ravel, Quatuor Ébène | F Major | 0 | 7B | 144 BPM | ||
| Messiaen : Vingt regards sur l'enfant Jésus : I Regard du Père | Olivier Messiaen, Pierre-Laurent Aimard | D♭ Major | 0 | 3B | 77 BPM | ||
| String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM | ||
| Piano Quintet, BB 33: Vivace - Scherzando | Béla Bartók, Kodály Quartet, Jenő Jandó | G Minor | 3 | 6A | 121 BPM | ||
| Églogue | Franz Liszt, André Laplante | A♭ Major | 0 | 4B | 74 BPM | ||
| Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 0 | 10B | 83 BPM | ||
| Quatuor en Fa Majeur, M. 35: III. Très lent | Maurice Ravel, Jerusalem Quartet | D♭ Major | 0 | 3B | 92 BPM | ||
| Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM | ||
| String Quartet No. 7 in F-Sharp Minor, Op. 108: I. Allegretto - Live | Dmitri Shostakovich, Emerson String Quartet | G Minor | 2 | 6A | 135 BPM | ||
| Printemps: I. Tres modéré (Reconstructed by C. Bongers) | Claude Debussy, Flemish Radio Choir, Marie-Josèphe Jude, Jean-François Heisser, Hervé Niquet | B Major | 1 | 1B | 54 BPM | ||
| Violin Concerto No. 1: I. Crotchet = 104 – Crotchet = 120 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | E Minor | 2 | 9A | 146 BPM | ||
| 10 Pieces for Piano, Op. 58: Der Hirt, No. 4 | Jean Sibelius, Leif Ove Andsnes | D♭ Major | 1 | 3B | 121 BPM | ||
| Fünf Skizzen, Op. 114: V. Im Frühling | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 71 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: II. Scherzo (Molto vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A♭ Major | 1 | 4B | 82 BPM |