Alberto Barberis, Michele Galdieri, Giuseppe Di Stefano, Orchestra, Dino Olivieri's 'Munasterio 'e Santa-Chiara' had a release date set for January 1, 1959. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Giuseppe Di Stefano, Dino Olivieri's "Giuseppe di Stefano: Italy" album is number 11 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Munasterio 'e Santa-Chiara is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Munasterio 'e Santa-Chiara by Alberto Barberis, Michele Galdieri, Giuseppe Di Stefano, Orchestra, Dino Olivieri to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il mare nel cassetto | Milva | G Major | 2 | 9B | 181 BPM | ||
| Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Ecco, ridente in cielo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | C Major | 1 | 8B | 166 BPM | ||
| Merci beaucoup | Renato Rascel | G Major | 1 | 9B | 77 BPM | ||
| Tornerai | Trio Lescano | B♭ Major | 0 | 6B | 123 BPM | ||
| Uno squarcio tra le nuvole | Ennio Morricone | A Major | 6 | 11B | 96 BPM | ||
| The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| O Sarracino | Lina Sastri | C Minor | 4 | 5A | 189 BPM | ||
| Aggio perduto 'o suonno | Anna Magnani | E Major | 4 | 12B | 125 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Se vuoi goder la vita | Achille Togliani | C Major | 3 | 8B | 117 BPM | ||
| Lu me sciccareddu | Traditional, Roberto Alagna | E Minor | 4 | 9A | 138 BPM | ||
| Cui: Prisoner of the Caucasus, Act 2: Aria. "Solntse v nebe yasnom svetit ne tak yarko" (Aboubeker) | César Cui, Ivan Grizounov, Unknown Orchestra | C Major | 1 | 8B | 81 BPM | ||
| Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | F Major | 1 | 7B | 170 BPM | ||
| E' troppo tardi | Nilla Pizzi | G Minor | 2 | 6A | 84 BPM | ||
| I Pagliacci: Recitar!...Vesti la giubba | Ruggero Leoncavallo, Enrico Caruso | D♭ Minor | 1 | 12A | 112 BPM | ||
| Carmen (1997 - Remaster), Act II: Eh bien! vite, quelles nouvelles?.....Nous avons en tête un affaire | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 2 | 4A | 83 BPM | ||
| Ninna Nanna A Michele | Nino Palermo | B♭ Major | 2 | 6B | 89 BPM | ||
| L'ultimo arpeggio | Misterius | G Minor | 3 | 6A | 51 BPM | ||
| Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
| Maria Marì | Gruppo mandolinistico La vecchia Napoli | D Major | 4 | 10B | 77 BPM | ||
| Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
| Monte Carmelo: "Habanera" | Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Pepita Rollán, Gran Orquest Sinfónica del Teatro Calderón de Madrid | E♭ Major | 4 | 5B | 172 BPM | ||
| Simon Boccanegra: Act I: Come in quest'ora bruna (Amelia) | Giuseppe Verdi, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | C Major | 1 | 8B | 81 BPM | ||
| Ciccio Formaggio | Nino Taranto | C Major | 5 | 8B | 125 BPM |