These Foolish Things by Barry Tuckwell, Ben Robertson, David Jones, Imogen Manins, Tony Gould, Strings of the Tasmanian Symphony Orchestra, Graeme Lyall Song Details

"These Foolish Things" by Barry Tuckwell, Ben Robertson, David Jones, Imogen Manins, Tony Gould, Strings of the Tasmanian Symphony Orchestra, Graeme Lyall had its release date on March 5, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "The Very Thought of You". In this album, this song's track order is #6. These Foolish Things is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With These Foolish Things by Barry Tuckwell, Ben Robertson, David Jones, Imogen Manins, Tony Gould, Strings of the Tasmanian Symphony Orchestra, Graeme Lyall having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -18.385 dB
Acousticness: 98%
Danceability: 17%
Energy: 12%
Instrumentalness: 89%
Liveness: 14%
Loudness: 69%
Speechiness: 3%
Valence: 17%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto for 2 Clarinets in E-Flat Major, Op. 35: I. Allegro	Franz Krommer, Kalman Berkes, Kaori Tsutsui, Nicolaus Esterhazy Sinfonia	B♭ Major	1	6B	134 BPM
Capriccio II in G major: 3. Gavotte	Jan Dismas Zelenka, Barry Tuckwell, Camerata Bern, Alexander van Wijnkoop	G Major	1	9B	129 BPM
Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro)	George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock	E Major	3	12B	123 BPM
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale	Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe	C Major	2	8B	82 BPM
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto	Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit	F Major	0	7B	74 BPM
La cambiale di matrimonio: Overture	Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner	E♭ Major	1	5B	140 BPM
Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto	Ludwig van Beethoven, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner	D Major	0	10B	76 BPM
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live	Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin	F Major	2	7B	129 BPM
Symphony in D Major, F. 29: I. Allegro assai	Josef Mysliveček, Matthias Bamert, London Mozart Players	D Major	1	10B	150 BPM
Sunrise Chant	Nuit	D♭ Minor	0	12A	88 BPM
Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio - Allegro molto e vivace	Ludwig van Beethoven, George Szell, The Cleveland Orchestra	C Major	3	8B	150 BPM
Andante Festivo	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	86 BPM
Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding	Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner	D Major	1	10B	137 BPM
Sleep & Chill	Ria Mbanefo	B♭ Major	2	6B	134 BPM
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits	Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger	F Major	1	7B	67 BPM
Kern: Long Ago and Far Away (from "Cover Girl", arr. Rodney Bennett)	Jerome Kern, Barry Tuckwell, Richard Rodney Bennett, Neil Richardson	E♭ Major	1	5B	76 BPM
Grand Overture in B-Flat Major, Op. 18, No. 2, W. G9: III. Presto	Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür	G Minor	1	6A	135 BPM
Blame It On My Youth	Barry Tuckwell, Ben Robertson, David Jones, Imogen Manins, Tony Gould, Strings of the Tasmanian Symphony Orchestra, Graeme Lyall	E♭ Major	1	5B	115 BPM
Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": I. Ouverture	Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward	A Major	2	11B	110 BPM
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	A Major	1	11B	96 BPM
Sonata in E flat for Horn & Piano, Op. 28: 1. Adagio	Franz Danzi, Barry Tuckwell, Vladimir Ashkenazy	E♭ Major	1	5B	137 BPM
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: II. Romance. Andante cantabile	Wolfgang Amadeus Mozart, Barry Tuckwell, Academy of St. Martin in the Fields, Sir Neville Marriner	B♭ Major	0	6B	46 BPM
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace	Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra	D Minor	3	7A	179 BPM
La locandiera Overture: III. Presto	Antonio Salieri, Matthias Bamert, London Mozart Players	F Major	0	7B	78 BPM
Every Time We Say Goodbye	George Shearing, Barry Tuckwell	A Major	0	11B	67 BPM