Anonyme, Konrad Ragossnig, Walter Feybli's ' "Villancico" was released on its scheduled release date, January 10, 1992. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Spanish and South American Music for Two Guitars". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. Based on our statistics, Villancico's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Villancico by Anonyme, Konrad Ragossnig, Walter Feybli having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deus Meus et Omnia | Choeur des moines de l'abbaye Notre Dame de Fontgombault, The Schola Cantorum of St. Peter's in the Loop, Lege Artis Chamber Choir, Father Michaels | D Major | 1 | 10B | 107 BPM | ||
| Caelum Resonat Gloria (Heaven Resounds with Glory) | Cantori Gregoriani | A♭ Major | 3 | 4B | 86 BPM | ||
| O vos omnes | Tomás Luis de Victoria, Choir of St. Ignatius Loyola, Kent Tritle | C Minor | 1 | 5A | 69 BPM | ||
| Triptych 07: Divine Spirit | Kastalski Mixed Choir | B♭ Minor | 2 | 3A | 124 BPM | ||
| Marie, pleine de grâce | Ensemble vocal Capella Sylvanensis, André Gouzes | G Minor | 2 | 6A | 169 BPM | ||
| Ode à l'Esprit Saint | Thibault Fromant, Ad Dei Gloriam | G Major | 2 | 9B | 127 BPM | ||
| Trotto (Estampie) | Anonyme, Ensemble Réal, Pascal Coté, Laura Zimmermann, Miriam Andersen, Christophe Tellart, Frédéric Cottereau | A♭ Major | 0 | 4B | 133 BPM | ||
| De cuer je soupire | Anonyme, Marc Mauillon, Pierre Hamon | B♭ Minor | 0 | 3A | 160 BPM | ||
| Gloria XI | Cantori Gregoriani | F Major | 1 | 7B | 70 BPM | ||
| Bozicni tropar | Pukovet | E Major | 2 | 12B | 130 BPM | ||
| Tono Humano: Lloren mis ojos | Anonyme, Le Poème Harmonique, Vincent Dumestre, Claire Lefilliâtre, Isabelle Druet | F♯ Major | 0 | 2B | 147 BPM | ||
| Troparion: O Theotokos | Timo Ruottinen, Tampere Orthodox Choir | G Minor | 0 | 6A | 84 BPM | ||
| Vexilla Regis (Hymnus) | Capella Gregoriana Easo | F Minor | 1 | 4A | 83 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Pange Lingua | Chorale Laetare | D♭ Minor | 1 | 12A | 94 BPM | ||
| MISA IN TE DOMINE SPERAVI: Agnus Dei | Francisco Guerrero, A5 Vocal Ensemble | D Minor | 2 | 7A | 72 BPM | ||
| Salve Mater Misericordiae | Traditionnel, Schola Regina, Philippe Nikolov | C Major | 3 | 8B | 78 BPM | ||
| Sanctus XVIII | St. Tikhon's Seminary Choir, Χορός Βατοπαιδινών Πατέρων | E♭ Major | 2 | 5B | 75 BPM | ||
| Veni Creator | Schola Grégorienne De L'Université De Strasbourg | B Major | 2 | 1B | 74 BPM | ||
| Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Major | 0 | 5B | 77 BPM | ||
| Graduale: Christus Factus Est, Modo V | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | B Minor | 0 | 10A | 131 BPM | ||
| Ame Du Christ | Le Choeur Du Séminaire Français De Rome | B Major | 1 | 1B | 68 BPM | ||
| Tempo Della Glora E Della Vita. Sequenza: Victimae Paschali Laudes | Canonici Regolari Di Sant'Antimo | E Minor | 0 | 9A | 92 BPM | ||
| Херувимска песма | Хор при Храму Св. Архангела Михаила | F♯ Major | 2 | 2B | 108 BPM | ||
| Rex Caeli | Trad. arr Andres Mustonen, Hortus Musicus | C Major | 1 | 8B | 96 BPM |