"Hold On" by The Starting Line had its release date on October 31, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "The Early Years". In this album, this song's track order is #11. Hold On is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hold On by The Starting Line having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Catastrophe | Four Year Strong | C Major | 10 | 8B | 137 BPM | ||
| Beating Heart Baby - Chris Lord-Alge Mix | Head Automatica | A♭ Major | 10 | 4B | 150 BPM | ||
| Futures | Jimmy Eat World | E♭ Major | 9 | 5B | 168 BPM | ||
| Paper, Rock, Scissors | JamisonParker | B Major | 8 | 1B | 135 BPM | ||
| Stationary Stationery | Anberlin | D♭ Major | 7 | 3B | 173 BPM | ||
| At Nature's Mercy | Hot Rod Circuit | G Major | 9 | 9B | 97 BPM | ||
| Sunday Drive | The Early November | A Minor | 10 | 8A | 123 BPM | ||
| Let It Happen | Jimmy Eat World | G Minor | 9 | 6A | 156 BPM | ||
| Honestly | Cartel | D♭ Major | 9 | 3B | 145 BPM | ||
| Cut! Print It | The Starting Line | F Major | 9 | 7B | 192 BPM | ||
| Error Operator | Taking Back Sunday | E♭ Minor | 9 | 2A | 167 BPM | ||
| Cross My Heart | Home Grown | B Major | 9 | 1B | 177 BPM | ||
| Awakening | Yellowcard | D♭ Minor | 10 | 12A | 193 BPM | ||
| Something Left To Give | The Starting Line | A♭ Major | 7 | 4B | 104 BPM | ||
| Eloise | Say Anything | C Major | 9 | 8B | 126 BPM | ||
| Saints and Sailors | Dashboard Confessional | D♭ Major | 8 | 3B | 112 BPM | ||
| Bouncing Off The Walls | Sugarcult | F♯ Major | 9 | 2B | 151 BPM | ||
| Bottle of Red, Bottle of Spite | Houston Calls | B Major | 8 | 1B | 97 BPM | ||
| Breakin' Bones in ABC Order | Dropout Year | B Major | 8 | 1B | 105 BPM | ||
| Crying | Sugarcult | D♭ Major | 9 | 3B | 125 BPM | ||
| Lasting Impressions | The Starting Line | E Major | 6 | 12B | 98 BPM | ||
| Memory | Sugarcult | D♭ Major | 9 | 3B | 167 BPM | ||
| Death Do Us Part | A Change of Pace | A Major | 9 | 11B | 126 BPM | ||
| You've Made Us Conscious | The Audition | B Major | 9 | 1B | 90 BPM | ||
| The Last Song | The All-American Rejects | D♭ Major | 9 | 3B | 180 BPM |