John Cage, Valérie Milot's 'In a Landscape' had a release date set for March 4, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Orbis". In this album, this song's track order is #5. In a Landscape is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With In a Landscape by John Cage, Valérie Milot having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Perilous Night: VI. Crotchet = 176 (or Faster) | John Cage, Marc-André Hamelin | B Major | 6 | 1B | 119 BPM | ||
| Limestone & Felt | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 147 BPM | ||
| In a Landscape (Version for Harp) | John Cage, Just Strings | D Minor | 0 | 7A | 160 BPM | ||
| Entr'acte | Caroline Shaw, Attacca Quartet | D Minor | 0 | 7A | 128 BPM | ||
| Miniature No. 13 | Jette Mogensen | A Minor | 3 | 8A | 138 BPM | ||
| Les enfants terribles - Arr. for Piano duet: III. The Somnambulist | Philip Glass, Katia Labèque, Marielle Labèque | D Minor | 0 | 7A | 121 BPM | ||
| Faded Polaroids | Saint Matthew Church of Administration | C Major | 1 | 8B | 64 BPM | ||
| Preludes: Les sons impalpables du reve (The Impalpable Sounds of the Dream) | Olivier Messiaen, Håkon Austbø | E Major | 1 | 12B | 135 BPM | ||
| Three Piano Pieces, Op. 11: Massig | Arnold Schoenberg, Paul Jacobs | A Major | 0 | 11B | 144 BPM | ||
| Deep Cave | Ernst Reijseger | C Major | 2 | 8B | 83 BPM | ||
| Being Time | Reganbogen | A Minor | 0 | 8A | 113 BPM | ||
| Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | A Major | 0 | 11B | 92 BPM | ||
| The Perilous Night: I. Crotchet = 176 | John Cage, Marc-André Hamelin | F♯ Major | 0 | 2B | 66 BPM | ||
| Bewild - Live | Simeon Walker | G Minor | 1 | 6A | 76 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM | ||
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
| Passage | Meredith Monk, Allison Sniffin, Silvie Jensen, Katie Geissinger, Ellen Fisher, Ching Gonzalez, Theo Bleckmann, Sasha Bogdanowitsch | G Major | 0 | 9B | 143 BPM | ||
| Ikaru | Fabio Caramuru | D Major | 1 | 10B | 75 BPM | ||
| Tower | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 2 | 8A | 81 BPM | ||
| Riessler: Family Affair | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Metamorphosis I | Philip Glass, Olivia Belli | C Major | 0 | 8B | 58 BPM | ||
| El Duelo | Memoribio | G Minor | 1 | 6A | 76 BPM | ||
| Christian Wolff in Cambridge | Morton Feldman, Brandeis University Chamber Chorus, Alvin Lucier | F♯ Minor | 0 | 11A | 75 BPM |