The Robert Cray Band's 'All the Way' had a release date set for April 28, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Take Your Shoes Off". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. The popularity of All the Way is currently below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With All the Way by The Robert Cray Band having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baby, Please Come Home | Jimmie Vaughan | E♭ Major | 8 | 5B | 123 BPM | ||
| Inside Out | Aynsley Lister | E♭ Minor | 6 | 2A | 95 BPM | ||
| Ninety-Nine and One Half | Tommy Castro | A Major | 6 | 11B | 102 BPM | ||
| Down at the Crossroads | Buddy Miles, Blues Berries, Rocky Athas | E Minor | 5 | 9A | 120 BPM | ||
| Old Habits Are Hard To Break | Coco Montoya | G Minor | 6 | 6A | 78 BPM | ||
| Runaround | J.J. Cale | F Major | 2 | 7B | 112 BPM | ||
| Tried And True | Eric Lindell | F Minor | 7 | 4A | 129 BPM | ||
| Good Morning Judge | Carl Verheyen | B♭ Major | 5 | 6B | 135 BPM | ||
| Women Have A Way With A Fool | Coco Montoya | F Major | 8 | 7B | 174 BPM | ||
| Too Much Water | Coco Montoya | B Minor | 7 | 10A | 106 BPM | ||
| Me And My Guitar | Peter Frampton Band | D Major | 8 | 10B | 97 BPM | ||
| Positively Meant To Be | Jimmie Vaughan | C Major | 4 | 8B | 97 BPM | ||
| Give Me One Reason | Big Daddy Wilson | D Major | 4 | 10B | 94 BPM | ||
| Watch Me Go | Luke Winslow-King | F Major | 6 | 7B | 107 BPM | ||
| Spare Some Love | Cassie Taylor | G Minor | 2 | 6A | 125 BPM | ||
| It Might Not Be Right | Ruthie Foster, William Bell | C Major | 5 | 8B | 170 BPM | ||
| Stop Runnin' | Phantom Blues Band | F♯ Major | 4 | 2B | 120 BPM | ||
| My Problem | The Robert Cray Band, The Memphis Horns | B Major | 4 | 1B | 108 BPM | ||
| Honey, Hush aka Talking Woman Blues | Albert Collins | D♭ Major | 7 | 3B | 162 BPM | ||
| I Was Warned | The Robert Cray Band | B♭ Minor | 5 | 3A | 108 BPM | ||
| Sara Smile | Michael Burks | D Minor | 5 | 7A | 131 BPM | ||
| Pardon | The Robert Cray Band | F♯ Minor | 8 | 11A | 125 BPM | ||
| Wolf Den | Danielle Nicole | B Minor | 5 | 10A | 100 BPM | ||
| Tanqueray | Johnnie Johnson | D Minor | 6 | 7A | 114 BPM | ||
| Love Is | Tommy Castro, The Painkillers | F Minor | 8 | 4A | 99 BPM |