God Is An Astronaut's 'Transmissions' had a release date set for August 26, 2013. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Origins". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Transmissions is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Transmissions by God Is An Astronaut having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Silence Lends a Face to the Soul | Saxon Shore | C Major | 4 | 8B | 128 BPM | ||
| Mir | LIGHTS OUT ASIA | G Minor | 7 | 6A | 122 BPM | ||
| Dark Matter | When Waves Collide | D Minor | 7 | 7A | 200 BPM | ||
| Ghost Horses | Tides From Nebula | D♭ Major | 9 | 3B | 131 BPM | ||
| 12.16 | Maserati | E Minor | 6 | 9A | 147 BPM | ||
| They Speak With Knives | If These Trees Could Talk | C Major | 7 | 8B | 105 BPM | ||
| Mirage | Oh Hiroshima | B♭ Minor | 6 | 3A | 180 BPM | ||
| Capitalistic cataclysm | Oh Hiroshima | C Major | 8 | 8B | 120 BPM | ||
| Ruach | Oh Hiroshima | E Minor | 7 | 9A | 125 BPM | ||
| Northern Wastes | Glasgow Coma Scale | E♭ Major | 7 | 5B | 127 BPM | ||
| Store Øyne, Men Uten Gevir | Spurv | A Minor | 5 | 8A | 165 BPM | ||
| Hepius | hubris. | G Major | 8 | 9B | 125 BPM | ||
| Last Hour | Flies Are Spies From Hell | E Minor | 5 | 9A | 125 BPM | ||
| A Beautiful Collapse | We Lost The Sea | F♯ Major | 9 | 2B | 125 BPM | ||
| Hell 8 | Leech | D♭ Minor | 4 | 12A | 130 BPM | ||
| Drift | Lights & Motion | A Minor | 9 | 8A | 160 BPM | ||
| Fight Club | Meniscus | A♭ Major | 8 | 4B | 110 BPM | ||
| Like Honey from the Branch | The End Of The Ocean | A Major | 6 | 11B | 100 BPM | ||
| Bluespace (XXI) | Exxasens | B♭ Minor | 7 | 3A | 110 BPM | ||
| Insignificant numbers | Oh Hiroshima | D Minor | 9 | 7A | 100 BPM | ||
| Overseen | Jakob | E Minor | 3 | 9A | 126 BPM | ||
| Doom | Meniscus | F Major | 7 | 7B | 93 BPM | ||
| Let Me Back In | Explosions In The Sky | A Major | 7 | 11B | 114 BPM | ||
| Emersion | Lost in Kiev | A♭ Minor | 8 | 1A | 175 BPM | ||
| Melide | Leech | E♭ Minor | 8 | 2A | 144 BPM |