On January 1, 2021, the song "Baare Nanna Shaarade" was released by C. Ashwath. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in N S Lakshminarayana Bhatta, C. Ashwath, Ratnamala Prakash's "Mysore Mallige" album is number 7 out of 11. On top of that, India appears to be the country where this track was created. Baare Nanna Shaarade is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Baare Nanna Shaarade by C. Ashwath to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bandaravidu Thayi | Mahalakshmi Iyer | E Major | 6 | 12B | 79 BPM | ||
| Kuduka Ganda | Basamma Hiremath | A♭ Major | 7 | 4B | 88 BPM | ||
| Sirivanthanadaru | P. B. Sreenivas, C.K. Rama | F♯ Major | 5 | 2B | 102 BPM | ||
| Aa Kanasina Murthy | B. R. Chaya | C Major | 5 | 8B | 137 BPM | ||
| Babbbarya | Hemanth Kumar | B♭ Major | 8 | 6B | 147 BPM | ||
| Kumbhasiya Ganapathiyu | Shashidhar Kote, K.S. Surekha | D Minor | 5 | 7A | 135 BPM | ||
| Abhayavannu - Studio | Surekha, Shamitha | F♯ Minor | 8 | 11A | 106 BPM | ||
| Ondirulu Kanasinali | C. Ashwath, Ratnamala Prakash | D♭ Major | 6 | 3B | 120 BPM | ||
| Ello Naanu | Narashima Naik | B Major | 8 | 1B | 91 BPM | ||
| Shabari Giriya | Rajkumar, Chorus | G Major | 5 | 9B | 127 BPM | ||
| Haalaravi Bando | Rajashekhar, Vasanthi.S | F♯ Major | 7 | 2B | 101 BPM | ||
| Bhramarambeg Pooje Undathi... | Manjula Gururaj | C Major | 7 | 8B | 148 BPM | ||
| Yerimeleya Nadeyalli | Madhu Balakrishnan | C Minor | 8 | 5A | 96 BPM | ||
| Muduki Aadiyalla | Gururaj Hosakote | F Minor | 6 | 4A | 113 BPM | ||
| Guruvaara Munjaane | Ratnamala Prakash | A♭ Major | 3 | 4B | 177 BPM | ||
| Kula Kula Kulavendu | P. B. Sreenivas | G Major | 4 | 9B | 148 BPM | ||
| Pagai Kadithal | Veeramanidasan | G Major | 7 | 9B | 171 BPM | ||
| Chikkammi Kel Doddammi | M. S. Ravigowda | G Major | 7 | 9B | 113 BPM | ||
| Ele Beladingalu | Rathnamala Prakash, Malathi Sharma | B♭ Major | 6 | 6B | 93 BPM | ||
| Bandano Govinda | Shashidhar Kote | A♭ Minor | 6 | 1A | 177 BPM | ||
| Sharanu Enutha | Nanditha | A Major | 7 | 11B | 166 BPM | ||
| THULASI MANI | Veeramanidaasan | B♭ Minor | 9 | 3A | 94 BPM | ||
| Soruthihudu | C. Ashwath | G Major | 4 | 9B | 134 BPM | ||
| Nammamma Sharade | Narashima Naik, Purandara Dasaru | G Major | 8 | 9B | 115 BPM | ||
| Ditavaagi Hoyithayya | Dr. Rajkumar | F Major | 5 | 7B | 88 BPM |