kent watari's 'always we are' had a release date set for July 26, 2023. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. always we are's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "raise: manusya". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, always we are is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With always we are by kent watari having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| An Inescapable Park | Alisa Okehazama | D Major | 4 | 10B | 83 BPM | ||
| Seraph of the End - Epic | 和田貴史 | B♭ Major | 4 | 6B | 138 BPM | ||
| 冷泉 | 魔道祖师动画 | E Major | 6 | 12B | 150 BPM | ||
| Luminous | yuma yamaguchi, av4ln | B♭ Minor | 7 | 3A | 81 BPM | ||
| Fancy That | Love and Deepspace | F Major | 2 | 7B | 110 BPM | ||
| Quiet Regret | 高橋 諒 | E Minor | 0 | 9A | 73 BPM | ||
| LAMENT FOR THE LOST | Evan Call | F Major | 0 | 7B | 68 BPM | ||
| The Phantom of the Mist | Path to Nowhere | B Minor | 1 | 10A | 112 BPM | ||
| Impatience | 天門 | B♭ Major | 4 | 6B | 75 BPM | ||
| Separation(《時光代理人第二季》動畫配樂) | 天門 | A Minor | 2 | 8A | 105 BPM | ||
| That Place | 照井順政 | A Minor | 4 | 8A | 95 BPM | ||
| I'm Just a Servant Assigned to a Particular Mistress | 神前 暁 | F Minor | 3 | 4A | 114 BPM | ||
| Theme of Shen Lanzhou | eigenTunes | F Minor | 2 | 4A | 171 BPM | ||
| 諫太子(《天官賜福》動畫配樂) | 楊秉音 | B Minor | 0 | 10A | 139 BPM | ||
| Intro | 白鯊JAWS | E Minor | 7 | 9A | 160 BPM | ||
| The Bloodline's Destiny | Alisa Okehazama | D Major | 4 | 10B | 83 BPM | ||
| Plum | Alisa Okehazama | D Major | 2 | 10B | 117 BPM | ||
| Threat | 神前 暁 | F Minor | 3 | 4A | 114 BPM | ||
| Echo | Kevin Penkin | F Minor | 3 | 4A | 114 BPM | ||
| 4-a: | Sawano Hiroyuki | C Major | 4 | 8B | 146 BPM | ||
| 序盤戦勝利 | 井上一平 | B♭ Minor | 2 | 3A | 102 BPM | ||
| Your Mignon Part2 | Jeon Yonghyeon | C Major | 0 | 8B | 70 BPM | ||
| ちょっとひと息 | 藤澤慶昌 | B♭ Major | 5 | 6B | 160 BPM | ||
| The Little Monster | Path to Nowhere | C Minor | 1 | 5A | 128 BPM | ||
| 私のしたいこと、聞いてくれる? | Rionos | G Minor | 2 | 6A | 176 BPM |