On March 20, 1995, the song "Hum Hi Tara Rani" was released by Tara Rani. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Tara Rani's "Manwa Ke Raja" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Hum Hi Tara Rani is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hum Hi Tara Rani by Tara Rani to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ajmal Ji Ra Kanwra | Murlidhar Paudwal | A Major | 7 | 11B | 93 BPM | ||
| Achcha Sila Diya Tune | Attaullah Khan | E♭ Major | 6 | 5B | 111 BPM | ||
| Shiv Manat Nahin | Sharda Sinha | A♭ Minor | 8 | 1A | 86 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Furkat Ke Hazaaron Raaton Se | Guddi Gilahari | E♭ Major | 7 | 5B | 89 BPM | ||
| Khali Peeli Pyar Se | Ila Arun | D Major | 8 | 10B | 98 BPM | ||
| Aaj Jo Thokad Maar Rhe Hain | Raj Pareek | E♭ Minor | 7 | 2A | 153 BPM | ||
| Pa Woor K Oosway Kabal Jaan Kabala Afsoos | Abdullah Muqri | A Minor | 7 | 8A | 103 BPM | ||
| Mazha Bhimacha Navan Kunku Lavila | Sushma Devi | D♭ Major | 5 | 3B | 169 BPM | ||
| Tu Mati Ka Gudda Me Sone Ki | Bhagat Raja, Pooja Masum | F♯ Minor | 7 | 11A | 91 BPM | ||
| Husna De Maalko | Sardool Sikander | A♭ Minor | 6 | 1A | 82 BPM | ||
| Bin Bajiye Tomay Daki je | Md. Azij | F Major | 9 | 7B | 91 BPM | ||
| Seena Na Topab | Tara Rani | C Major | 5 | 8B | 134 BPM | ||
| Lakshman Ki Jaan Bacha Kei | Narendra Kaushik | C Minor | 8 | 5A | 91 BPM | ||
| Wang Election Viah Di | Davinder Kohinoor | B♭ Minor | 7 | 3A | 120 BPM | ||
| Jab Sath Deve Ke Na Rahe | Anupma Yadav | E♭ Minor | 5 | 2A | 149 BPM | ||
| Hey Chhathi Maiya | Sharda Sinha | A♭ Major | 6 | 4B | 145 BPM | ||
| Tere Sare Khat | Harbhajan Mann | A Major | 6 | 11B | 80 BPM | ||
| Yaar Bimar Piya | Ranjit Kaur | A Major | 4 | 11B | 109 BPM | ||
| Gori Kab Se Huyee Jawan (From "Phool Bane Angaray") | Lata Mangeshkar | F♯ Minor | 6 | 11A | 89 BPM | ||
| Chamke Shivbachi Talwar | Madhukar Pathak | A♭ Major | 4 | 4B | 90 BPM | ||
| Krish Ka Gana Sunega | Ritesh Pandey | E♭ Minor | 7 | 2A | 153 BPM | ||
| Sarali Nisha Hasali Usha | Anand Shinde, Milind Shinde | D♭ Major | 6 | 3B | 173 BPM | ||
| Chula Ki Aag Ho To Pani Se Bujha Du | Sant Shri Prakash Das ji Maharaj | D♭ Minor | 8 | 12A | 110 BPM | ||
| Raychand Ji | Ray Chand, Champa Methi | D Minor | 9 | 7A | 110 BPM |