Marskye's 'Purp-L' had a release date set for December 12, 2017. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Marskye's "Gnog (Original Soundtrack)" album is number 3 out of 20. Purp-L is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Purp-L by Marskye to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ascending Dawn | Emile van Krieken | C Minor | 8 | 5A | 137 BPM | ||
| World to Come | A Shell In The Pit | A Major | 7 | 11B | 120 BPM | ||
| Old Cape | Jim Guthrie | C Major | 10 | 8B | 160 BPM | ||
| The Notebooks | Yann Van Der Cruyssen | A♭ Minor | 1 | 1A | 120 BPM | ||
| Cradle | Harry Mack | C Minor | 2 | 5A | 131 BPM | ||
| March of the Pengoons | Paul Zimmermann | A Major | 6 | 11B | 132 BPM | ||
| Legendary Dungeons | Jim Guthrie | C Major | 10 | 8B | 160 BPM | ||
| Idle Lands | Epoch | G Major | 4 | 9B | 100 BPM | ||
| Enter the Gun | Doseone | B♭ Minor | 9 | 3A | 102 BPM | ||
| Motion | Anthemics | G Major | 4 | 9B | 97 BPM | ||
| Followers | Half Asleep Games, cademakesmusic | C Major | 3 | 8B | 144 BPM | ||
| Lavender | Clark Aboud | B♭ Minor | 5 | 3A | 72 BPM | ||
| Back to Business | William Benckert | G Major | 8 | 9B | 98 BPM | ||
| Dark Vessel | Eric Thompson | A♭ Major | 7 | 4B | 180 BPM | ||
| Copacetic | Clark Aboud | D Major | 5 | 10B | 92 BPM | ||
| Haywire | David Fenn | A Minor | 5 | 8A | 135 BPM | ||
| Megamaki Attack | Seth Parker | F♯ Major | 5 | 2B | 123 BPM | ||
| Baryogenesis | Lifeformed | A Minor | 7 | 8A | 140 BPM | ||
| Subterranean Sunrise | A Shell In The Pit | C Minor | 8 | 5A | 120 BPM | ||
| Steady Bears | Tempo Lab, Zorsy | G Minor | 6 | 6A | 114 BPM | ||
| Like Chimeras - Instrumental | Joel Baylis | D Minor | 5 | 7A | 75 BPM | ||
| Primordial Supremacy | plasterbrain | F♯ Minor | 7 | 11A | 181 BPM | ||
| Close The Deal! | Louie Zong | B♭ Minor | 6 | 3A | 85 BPM | ||
| Extraterrestrial Power | Jonathan Geer | G Minor | 7 | 6A | 92 BPM | ||
| Journey To Candle Hill | Joel Bille | C Minor | 4 | 5A | 160 BPM |