On August 20, 2009, the song "We Are the Champions" was released by Holly Wilson. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 15 in Clásicos del Rock en Bossa by Holly Wilson. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Based on our statistics, We Are the Champions's popularity is average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of We Are the Champions by Holly Wilson is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Again | BossArt Ensemble, Nova Bossa Ltd. | A Major | 5 | 11B | 95 BPM | ||
| Hotel California - Bossa Version | Eduardo Braga | B Minor | 4 | 10A | 118 BPM | ||
| Woman in Love - Bossa Version | Joana Duah | E Minor | 4 | 9A | 115 BPM | ||
| Don't Let Me Be Misunderstood | Juliana Aquino | C Minor | 5 | 5A | 124 BPM | ||
| Dancing in the Street - Bossa Version | Bárbara Bomtempo | A Major | 4 | 11B | 124 BPM | ||
| I Want to Break Free | Holly Wilson | F♯ Minor | 4 | 11A | 200 BPM | ||
| Invisible Touch | Holly Wilson | C Major | 4 | 8B | 128 BPM | ||
| Me And Mrs. Jones (나와 존스부인) (미 앤 미세스 존스) | Monique Kessous | E Major | 2 | 12B | 112 BPM | ||
| You Gotta Be | Cassandra Beck | G Minor | 3 | 6A | 123 BPM | ||
| That's What I Like | Nenei, Apollinare Rossi | F Minor | 4 | 4A | 125 BPM | ||
| Senorita | Lo Cabana | D♭ Major | 4 | 3B | 164 BPM | ||
| Pride (In the Name of Love) | Rever Sound, Eve | E Major | 3 | 12B | 111 BPM | ||
| Wake Me Up | Samantha Emme | F Major | 8 | 7B | 141 BPM | ||
| Beautiful Day | Sàloa Farah | B Minor | 4 | 10A | 135 BPM | ||
| Live to Tell | Nova Bossa Ltd. | E♭ Major | 6 | 5B | 160 BPM | ||
| What's Up? | Groove Da Praia | G Major | 5 | 9B | 110 BPM | ||
| Fix You - Bossa Nova Version | Mandy Jones, Future Soundscapes | G Major | 2 | 9B | 118 BPM | ||
| Under the Bridge (feat. Daniela Maia) | Nova Jazzers, Daniela Maia | D Major | 4 | 10B | 120 BPM | ||
| Many Too Many | Holly Wilson | F♯ Major | 5 | 2B | 120 BPM | ||
| The Show Must Go On | Holly Wilson | B Minor | 4 | 10A | 184 BPM | ||
| If - Bossa Version | Liz Menezes | A Major | 1 | 11B | 108 BPM | ||
| エターナル・フレーム | Barbara Mendes | D♭ Minor | 2 | 12A | 82 BPM | ||
| モア・ザン・ワーズ | タータ・メネゼス | F♯ Minor | 2 | 11A | 95 BPM | ||
| Have You Ever Seen the Rain | Victor Peixeiro | E Minor | 4 | 9A | 96 BPM | ||
| Blurred Lines | Francoise Sanders | G Major | 4 | 9B | 126 BPM |