Riley Taylor's 'Taking Love As It Comes' had a release date set for April 18, 2025. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 30 in the song's album "Story To Tell". In this album, this song's track order is #17. Based on our statistics, Taking Love As It Comes's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Taking Love As It Comes by Riley Taylor having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Still Gonna Be You (Jade's version) | Jade Eagleson | A Major | 9 | 11B | 113 BPM | ||
| Miami to the Keys | Cole Frozt | A♭ Major | 4 | 4B | 154 BPM | ||
| Like I've Never Been Loved Before | Chris Goodwin Band | F Major | 8 | 7B | 92 BPM | ||
| Chevy Back | Dawson Gray | C Major | 9 | 8B | 160 BPM | ||
| Still Make Cowgirls | Karli June | G Minor | 8 | 6A | 144 BPM | ||
| Home | Mitch Zorn | A Major | 8 | 11B | 154 BPM | ||
| Drinking Buddy | Tyler Booth | D Major | 8 | 10B | 115 BPM | ||
| Backward Sense | Tyler Joe Miller | D♭ Major | 9 | 3B | 150 BPM | ||
| Nowhere To Ride | Brett Kissel | B Minor | 9 | 10A | 165 BPM | ||
| Scars to Prove It | Trey Lewis | D Major | 9 | 10B | 101 BPM | ||
| We Were Kids | Ty Gregory | D Major | 8 | 10B | 112 BPM | ||
| Drinkin' Hand | Aaron Goodvin | D Major | 7 | 10B | 150 BPM | ||
| Up & Down | Riley Taylor | C Minor | 7 | 5A | 140 BPM | ||
| Somewhere Tonight | Jason Blaine | G Major | 9 | 9B | 131 BPM | ||
| Loser Like Me | Riley Taylor | F♯ Minor | 3 | 11A | 136 BPM | ||
| All Roads Lead To You | Andy Colonico, Peter Alexander | E Major | 4 | 12B | 72 BPM | ||
| Dry Wood and Gasoline | Tyler Joe Miller | C Major | 8 | 8B | 99 BPM | ||
| Love in the Country | Nate Barnes | D Major | 7 | 10B | 188 BPM | ||
| Can't Go Back | Corey Dakota | F♯ Major | 7 | 2B | 104 BPM | ||
| One Is Gonna Hurt | Dawson Gray | D♭ Major | 6 | 3B | 103 BPM | ||
| Last Picture Of Johnny Cash | Dallas Alexander, Ellis | C Major | 9 | 8B | 170 BPM | ||
| Bud Light The Way | Owen Riegling | E Major | 2 | 12B | 137 BPM | ||
| Better Than A Country Song | Midnight South | D Major | 7 | 10B | 165 BPM | ||
| Weekend You | Owen Riegling | E Major | 2 | 12B | 137 BPM | ||
| Country, Girl | Reed Foley | G Major | 8 | 9B | 116 BPM |