- BPM
- 84
- Key
- A♭ Minor
- Camelot
- 1A
Preludio - Live, Basílica San Francisco de Asís, 2020 by Alejandro García Caturla, Zenaida Romeu, Camerata Romeu Song Details
"Preludio - Live, Basílica San Francisco de Asís, 2020" by Alejandro García Caturla, Zenaida Romeu, Camerata Romeu had its release date on July 18, 2025. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 10 in Adagios Criollos (Live, Basílica San Francisco de Asís, 2020) by Zenaida Romeu, Camerata Romeu. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Preludio - Live, Basílica San Francisco de Asís, 2020 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Preludio - Live, Basílica San Francisco de Asís, 2020 by Alejandro García Caturla, Zenaida Romeu, Camerata Romeu is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 6%
- Loudness
- -16.209 dB
- Acousticness
- 90%
- Danceability
- 11%
- Energy
- 16%
- Instrumentalness
- 82%
- Liveness
- 9%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | The Threepenny Opera, Act II: Pollys Lied (Arr. for Piano by Florian Noack) | Kurt Weill, Florian Noack | B Minor | 0 | 10A | 110 BPM | |
 | Suite francaise d'après Claude Gervaise, Sicilienne | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | |
 | Five Pieces for String Quartet, WV 68: No. 1, Alla Valse viennese | Erwin Schulhoff, Leonkoro Quartet | A♭ Major | 0 | 4B | 96 BPM | |
 | Nymphs and Fauns Arabesque - Duo-Art 5509 | Herman Bemberg, McNair Ilgenfritz, Peter Phillips | D♭ Major | 1 | 3B | 88 BPM | |
 | Comparsa - Remasterizado | Alejandro García Caturla, Conjunto Instrumental Nuestro Tiempo | G Minor | 3 | 6A | 91 BPM | |
 | Linterna mágica, Op. 101: II. El Misterio del Jardín | Joaquín Turina, Jordi Masó | E Major | 0 | 12B | 77 BPM | |
 | Forgotten Melodies I, Op. 38: Canzona Serenata, Op. 38, No. 6 | Nikolai Medtner, Juan Francisco Otón | F Minor | 0 | 4A | 69 BPM | |
 | Era de maggio (Arr. for Violin & Piano by Tim Allhoff) | Pasquale Mario Costa, Andrea Cicalese, Tim Allhoff | D Minor | 2 | 7A | 73 BPM | |
 | Barcarolle No. 1 in A Minor, Op. 26 | Gabriel Fauré, Pascal Rogé | A♭ Major | 0 | 4B | 96 BPM | |
 | Suite: No. 2, Fly | Carlo Balzaretti, Chen Xi | E Major | 2 | 12B | 78 BPM | |
 | Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | |
 | Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | |
 | Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | A♭ Major | 0 | 4B | 96 BPM | |
 | Our Scenery | Evanor Lume | A♭ Major | 0 | 4B | 96 BPM | |
 | Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | A♭ Major | 0 | 4B | 96 BPM | |
 | Contrastes: VI. Fugue/Tango | Richard Galliano, South Czech Philharmonic, Miran Vaupotic, Sebastien Giniaux | D♭ Major | 0 | 3B | 146 BPM | |
 | Concierto para Piano y Orquesta No. 2, "de los Lienzos Olvidados": II. Anegados de Luz en Giverny - Live | Ramón Paus, Eduardo Fernandez, Orquesta de Extremadura, Iván López Reynoso | B♭ Minor | 1 | 3A | 85 BPM | |
 | 7 Little Pieces: Canción De Navidad | Celia Torrá, Anna Miernik, Daniela Salinas | B♭ Major | 2 | 6B | 90 BPM | |
 | Serenade for String Orchestra in C Major, Op. 48, TH 48 (Arr. for Piano by Peter Breiner): III. Elegia. Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | |
 | Scarlatti: Sonata in A Major, K 208 | Domenico Scarlatti, Lavinia Meijer | A♭ Major | 0 | 4B | 96 BPM | |
 | 3 Pieces, Op. 45: No. 1, Feuillet D'album | Alexander Scriabin, Juan Francisco Otón | G Minor | 0 | 6A | 59 BPM | |
 | Sonatine, D. 968: 2. Andante | Franz Schubert, Daejin Kim, Chloe Mun | D Minor | 0 | 7A | 65 BPM |
- ISRC
- FRX452561081
- Label
- L-M Records/RCA Records