Kosinder, Rishipal's ' "Papi Parath Tane Julm" was released on its scheduled release date, September 12, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kosinder's "Heer Ranjha" album is number 60 out of 81. On top of that, India appears to be the country where this track was created. Papi Parath Tane Julm is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Papi Parath Tane Julm by Kosinder, Rishipal to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mara Bajrang Bala bhakta upr chatr chaya rakh jo | Hemraj Saini | F Minor | 9 | 4A | 91 BPM | ||
| Bharose Thare Chale Satguru Mhari Naav | Prakash Mali, Moinuddin Manchala | E♭ Minor | 9 | 2A | 95 BPM | ||
| BAGAD WALA RANA - Freestyle | Jai Goga Jaharveer Ji | A♭ Major | 7 | 4B | 81 BPM | ||
| He Muralidhar Chhaliya Mohan Ham Bhi Tumko Dil De Baithe | Rj Shivam | F♯ Minor | 3 | 11A | 114 BPM | ||
| Kissa Mahabharat Phool Hai Kali Hai Ya Tu Sabnam Hai | Tarun Baliyan | A Minor | 9 | 8A | 148 BPM | ||
| Dholagad Dholki Vage Maharaj | Asha Vaishnav | D Major | 8 | 10B | 130 BPM | ||
| Inder Ki To Bat Kiya | Mainpal Baseda, Satpal Dosa | E♭ Minor | 6 | 2A | 85 BPM | ||
| Jahar Baba Aawego | Ramavtar Sharma | F♯ Major | 5 | 2B | 125 BPM | ||
| Mane Tan Man Rang Liyo Hey | Narendra Kaushik | A♭ Minor | 9 | 1A | 134 BPM | ||
| Jindgi Me Jahar | Anupama Yadav, Golu Raja | E♭ Minor | 6 | 2A | 85 BPM | ||
| Chalo Chalo Runecha | Rafiq Sagar | B Major | 7 | 1B | 83 BPM | ||
| Tor Mor Jhagda | Dukalu Yadav | A♭ Minor | 9 | 1A | 99 BPM | ||
| Charcha Hori Balaji Hariyane Mein | Narendra Kaushik | F♯ Minor | 10 | 11A | 88 BPM | ||
| Khatiya Mat Tode Re - Hindi | Naresh Gurjar, Dinesh Gurjar | G Minor | 7 | 6A | 129 BPM | ||
| Mehandi Rang Lago | Ray Chand, Champa Methi | C Major | 9 | 8B | 100 BPM | ||
| Samadhi Samadhin Mukabala - Hindi | Lata Shastri, Naresh Gurjar | G Minor | 9 | 6A | 129 BPM | ||
| Mahri Heer Ke | Kosinder, Rishipal | A♭ Major | 5 | 4B | 73 BPM | ||
| Pachiso Kal | Ray Chand, Champa Methi | B Minor | 8 | 10A | 170 BPM | ||
| Meri Bawe Wali Maa - Dogri Bhajan | Sunny Verma | G Major | 9 | 9B | 104 BPM | ||
| Aaj Bardi Shcool | Satpal Dausa | A Minor | 7 | 8A | 141 BPM | ||
| Bheruji Latiyaala - Live | Asha Vaishnav | B♭ Major | 8 | 6B | 102 BPM | ||
| Thari Ghani Karu Manvar | Rajkumar Swami | D Major | 6 | 10B | 178 BPM | ||
| Raja Mordhwaj Ki Jeevni, Pt. 5 | Ramniwas Rao | D♭ Major | 8 | 3B | 133 BPM | ||
| Sikhandrabad Competiton Part 3 | Karampal Sharma, Manju Sharma, Brahmapal Nagar, Koshinder Khadana, Rishipal, Sunita Panchal | F Major | 9 | 7B | 135 BPM | ||
| Foj Mein Jaake Bhool Na Jaiye | Tarun Baliyan | A Major | 8 | 11B | 122 BPM |