"Mission: Rome" by Daniel Pemberton had its release date on August 7, 2015. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Mission: Rome's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Man from U.N.C.L.E. (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. In terms of popularity, Mission: Rome is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mission: Rome by Daniel Pemberton having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Se sei qualcuno è colpa mia | Ennio Morricone | A Minor | 5 | 8A | 146 BPM | ||
| I Was In Vancouver | George Fenton | E Major | 1 | 12B | 120 BPM | ||
| Taking Over The Damn Place | Nicholas Britell | B Minor | 6 | 10A | 104 BPM | ||
| The Boat | Colin Stetson | F Minor | 1 | 4A | 130 BPM | ||
| Decadence | Cristobal Tapia De Veer | E Minor | 2 | 9A | 61 BPM | ||
| Travel To Edinburgh | Tom Tykwer, Johnny Klimek, Reinhold Heil | G Minor | 3 | 6A | 180 BPM | ||
| Revolver | Nathaniel Méchaly | F♯ Major | 3 | 2B | 140 BPM | ||
| Maria Altman | Martin Phipps | G Minor | 2 | 6A | 87 BPM | ||
| The War Rooms | Dario Marianelli, Víkingur Ólafsson | A♭ Major | 2 | 4B | 103 BPM | ||
| He Who Remains | Natalie Holt | F♯ Major | 6 | 2B | 135 BPM | ||
| Gates of Tomorrow | Abel Korzeniowski | F♯ Major | 3 | 2B | 83 BPM | ||
| Suspicious Mind (Including End Credits) | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Clock Tick | Abel Korzeniowski | D♭ Minor | 1 | 12A | 126 BPM | ||
| Harlan's Plan | Nathan Johnson | D Major | 2 | 10B | 85 BPM | ||
| Let The Adventure Begin | Christian Lundberg | B Minor | 1 | 10A | 100 BPM | ||
| Snowplow | David Fleming | C Major | 4 | 8B | 116 BPM | ||
| A lab in Norway | Rolfe Kent | C Major | 1 | 8B | 146 BPM | ||
| Broken Cowboy | Craig DeLeon | G Minor | 2 | 6A | 70 BPM | ||
| Laced Drinks (Betrayal Pt. II) | Daniel Pemberton | B♭ Minor | 5 | 3A | 170 BPM | ||
| Drops | Klint | F Major | 8 | 7B | 120 BPM | ||
| Bekaa Brothers | Ramin Djawadi | B♭ Minor | 7 | 3A | 157 BPM | ||
| CHEESE | Atobare | A♭ Major | 4 | 4B | 76 BPM | ||
| First Body | Nick Cave & Warren Ellis | D♭ Major | 3 | 3B | 91 BPM | ||
| The Faithful Departed (feat. G.E. Smith & Larry Saltzman) | Howard Shore, G.E. Smith, Larry Saltzman | A Minor | 2 | 8A | 94 BPM | ||
| Made in America | Gary Lionelli | C Minor | 0 | 5A | 177 BPM |