Holy Groove's ' "Isaiah 52.7 — How Beautiful Are the Feet" was released on its scheduled release date, September 24, 2025. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Isaiah 52.7 — How Beautiful Are the Feet's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Holy Groove's "Isaiah in Blues vol.2-3" album is number 17 out of 20. In terms of popularity, Isaiah 52.7 — How Beautiful Are the Feet is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Isaiah 52.7 — How Beautiful Are the Feet by Holy Groove to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| FIRME NAS PROMESSAS (BLUES GOSPEL) | Blues do Reino | F Minor | 4 | 4A | 170 BPM | ||
| Lovin' Means | The Alex Lucero Band | G Major | 3 | 9B | 141 BPM | ||
| Bulletproof Faith | Dan Harman | G Minor | 5 | 6A | 80 BPM | ||
| Amazing Grace/House of the Rising Sun | Guy Forsyth, Jeska Bailey | E Minor | 5 | 9A | 98 BPM | ||
| Lost & Found | Redemption's Story | C Major | 4 | 8B | 84 BPM | ||
| The Shepherd’s Voice — Psalm 23 (1950s) | New Worship Blues | F Major | 3 | 7B | 170 BPM | ||
| A Man Who Drinks | Outlaw Algorithm | G Minor | 4 | 6A | 152 BPM | ||
| Carry My Blues for a While | The King's Blues Club | C Minor | 3 | 5A | 136 BPM | ||
| Light in My Shadows | Sons of Ashes | B♭ Minor | 2 | 3A | 82 BPM | ||
| Almost Let You Go | Blues Man | F Minor | 3 | 4A | 160 BPM | ||
| No Time For Tomorrow | Preaching Real | E♭ Major | 3 | 5B | 152 BPM | ||
| Sentí el poder de Dios | EDGAR PACHECO - EDNK | B♭ Major | 3 | 6B | 89 BPM | ||
| Goodbye Temptation | Solomon Ray | G Major | 6 | 9B | 150 BPM | ||
| If You Still Hear Me | Tennessee Brooks | C Minor | 4 | 5A | 179 BPM | ||
| Mud and Prayer | Cottonfield Blues | G Major | 4 | 9B | 67 BPM | ||
| God Help Me | Christian Music Creations | A♭ Major | 9 | 4B | 134 BPM | ||
| Residual | The Velvet Singer | F Minor | 3 | 4A | 160 BPM | ||
| Synthetic Woman | Synthec@t | D Minor | 5 | 7A | 158 BPM | ||
| She Took the Keys and My Whiskey | True Roots Blues | G Minor | 2 | 6A | 155 BPM | ||
| porch at midnight | Behnita | F Minor | 3 | 4A | 160 BPM | ||
| Psalm 103:1 - Bless the Lord | New Worship Blues | B♭ Major | 3 | 6B | 137 BPM | ||
| Four Walls and a Pillow | Blues Man | G Minor | 3 | 6A | 175 BPM | ||
| Cold Hands of the Earth | dark country | B Major | 4 | 1B | 184 BPM | ||
| Let Jesus In | Versos do Reino | D Major | 6 | 10B | 170 BPM | ||
| My Father | SireWolf | C Major | 6 | 8B | 149 BPM |