Bill Elm, Woody Jackson's '(Theme From) Red Dead Redemption' had a release date set for May 18, 2010. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Red Dead Redemption Original Soundtrack". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, (Theme From) Red Dead Redemption's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With (Theme From) Red Dead Redemption by Bill Elm, Woody Jackson having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ash And Spurs | Bill Elm | E Minor | 5 | 9A | 86 BPM | ||
| Far Cry 3 | Brian Tyler | A Minor | 3 | 8A | 102 BPM | ||
| Into the Sunset | Hollywood Film Music Orchestra | A Minor | 5 | 8A | 130 BPM | ||
| Homestead | Steven Lynn | D Minor | 3 | 7A | 142 BPM | ||
| Jin Sakai | Ilan Eshkeri | G Minor | 4 | 6A | 84 BPM | ||
| Already Dead | Bill Elm, Woody Jackson | G Major | 1 | 9B | 136 BPM | ||
| Armored Prayer | Steve Jablonsky, Gears of War | E Minor | 6 | 9A | 175 BPM | ||
| Beartooth Point | Chris Remo | D Minor | 2 | 7A | 118 BPM | ||
| Evening the Odds | Nick Arundel | E Minor | 5 | 9A | 102 BPM | ||
| MW3 End Credits | Brian Tyler | C Major | 5 | 8B | 144 BPM | ||
| White Cloud | Federale | B Minor | 6 | 10A | 124 BPM | ||
| Nate's Theme 3.0 | Greg Edmonson | E Minor | 5 | 9A | 125 BPM | ||
| METAL GEAR SOLID PEACE WALKER MEDLEY (Performed by The City of Prague Philharmonic Orchestra) | Nobuko Toda | F Minor | 4 | 4A | 82 BPM | ||
| Dragonborn | Jeremy Soule, The Elder Scrolls | B Minor | 5 | 10A | 67 BPM | ||
| The Setup | Greg Edmonson | D Major | 2 | 10B | 82 BPM | ||
| 「巨像の気配」~「異形の者達~巨像との戦い~」~「開かれる道~巨像との戦い~」~「戦いの終り」~「偶像崩壊」(メドレー) | 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 | A Minor | 3 | 8A | 79 BPM | ||
| Death at High Noon | Steven Lynn | F Major | 5 | 7B | 120 BPM | ||
| A Strange Kindness | David Ferguson, Matt Sweeney | E Minor | 3 | 9A | 86 BPM | ||
| 9999999 | Aperture Science Psychoacoustic Laboratories | D Major | 8 | 10B | 90 BPM | ||
| Outlaws From The West | Woody Jackson | G Minor | 3 | 6A | 62 BPM | ||
| Through the Valleys | Jeremy Soule | C Minor | 0 | 5A | 72 BPM | ||
| Billy the Kid | Brandon Fiechter | G Major | 3 | 9B | 120 BPM | ||
| The Last of Us (A New Dawn) | Gustavo Santaolalla | C Major | 2 | 8B | 103 BPM | ||
| Lakes and Mountains | Charles Parsson | E Minor | 3 | 9A | 108 BPM | ||
| E Vissero Felici E Contenti | Vito Il Vincitore | D Minor | 3 | 7A | 94 BPM |