We Have Come To Worship Him
Cheri Keaggy
There Is Joy In The Lord
2:59 January 1, 1999
BPM
132
Key
G Major
Camelot
9B

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We Have Come To Worship Him by Cheri Keaggy Song Details

Cheri Keaggy's ' "We Have Come To Worship Him" was released on its scheduled release date, January 1, 1999. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. We Have Come To Worship Him's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "There Is Joy In The Lord". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, We Have Come To Worship Him's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With We Have Come To Worship Him by Cheri Keaggy having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-5.947 dB
Acousticness
7%
Danceability
57%
Energy
73%
Instrumentalness
0%
Liveness
13%
Loudness
90%
Speechiness
3%
Valence
77%

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ISRC
USSP39911815
Label
L-M Records/RCA Records