The Cold Harbour's '1931' had a release date set for September 1, 2012. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. 1931's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Cold Harbour's "Homebound" album is number 4 out of 10. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 1931's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 1931 by The Cold Harbour to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beds | What We Lost | D♭ Minor | 9 | 12A | 95 BPM | ||
| Punctured Lungs | Ghost Chant | A Minor | 10 | 8A | 141 BPM | ||
| Decay | Whatever, Forever | G Minor | 10 | 6A | 150 BPM | ||
| I Destroyed | The Elijah | F♯ Major | 8 | 2B | 130 BPM | ||
| Spite Lines | Sleep Talk | A♭ Major | 9 | 4B | 144 BPM | ||
| Saudade | Mountain Mover | G Minor | 7 | 6A | 98 BPM | ||
| Old Chokes | Frameworks | D Major | 8 | 10B | 81 BPM | ||
| Passing | No Omega | E♭ Major | 10 | 5B | 109 BPM | ||
| Night Light | Hindsight | D♭ Major | 9 | 3B | 148 BPM | ||
| The Hardest Part Is Forgetting Those You Swore You Would Never Forget | Being As An Ocean | A♭ Major | 9 | 4B | 133 BPM | ||
| Forgiveness in the Shape of a Butcher Knife | seraphimsurgery | D♭ Major | 10 | 3B | 95 BPM | ||
| Tightrope | Second Harbour | G Major | 10 | 9B | 172 BPM | ||
| Long Road Blues | The Cold Harbour | E♭ Minor | 9 | 2A | 105 BPM | ||
| Endings | The Tidal Sleep | E Minor | 7 | 9A | 144 BPM | ||
| Home / Sick | Heart In Hand | B Major | 9 | 1B | 145 BPM | ||
| Indelible Mistakes | Heart In Hand | D♭ Minor | 9 | 12A | 125 BPM | ||
| The Angst in My Veins | Capsize | A♭ Major | 10 | 4B | 140 BPM | ||
| The Tallest of Mountains | Acres | A Major | 9 | 11B | 135 BPM | ||
| Quiet Steps | State Faults | E Minor | 9 | 9A | 150 BPM | ||
| Between White Space | Perspectives | D Major | 10 | 10B | 167 BPM | ||
| New World | To The Wind | E♭ Major | 10 | 5B | 157 BPM | ||
| At Seapoint | Worthwhile | G Minor | 9 | 6A | 150 BPM | ||
| Warm Blood Rush | Defeater | D Minor | 10 | 7A | 95 BPM | ||
| Nobody Else | Sleep Talk | F Minor | 10 | 4A | 185 BPM | ||
| Epilogy | Landscapes | D♭ Minor | 7 | 12A | 120 BPM |