Рихард Штраус, Gennady Rozhdestvensky's 'Замок у моря, TrV 191' had a release date set for January 1, 1980. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in Мелодекламации, so we believe that "Замок у моря, TrV 191" is a single. The popularity of Замок у моря, TrV 191 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Замок у моря, TrV 191 by Рихард Штраус, Gennady Rozhdestvensky is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Valse-Caprice in E-Flat Major | Alexander Dargomyzhsky, Yevgeny Svetlanov, USSR State Symphony Orchestra | E♭ Major | 3 | 5B | 124 BPM | ||
| Waltz-Fantasy: Waltz-Fantasy | Mikhail Glinka, Yuri Simonov, Moscow Philharmonic Orchestra | E Minor | 3 | 9A | 99 BPM | ||
| Pique Dame (Pikovaya Dama), Op. 68, TH.10: Overture | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | B Major | 2 | 1B | 85 BPM | ||
| Berlioz: Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro | Hector Berlioz, Sir Simon Rattle, Berliner Philharmoniker | A♭ Major | 2 | 4B | 80 BPM | ||
| Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 2, Introduction | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker | C Minor | 3 | 5A | 115 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio. Allegro molto | Antonín Dvořák, Prague Radio Symphony Orchestra, Vladimír Válek | D♭ Minor | 0 | 12A | 82 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 87 BPM | ||
| Rigoletto: Prelude | Giuseppe Verdi, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | G Major | 1 | 9B | 68 BPM | ||
| Wiener Blut, Op. 354 | Johann Strauss II, Vienna Volksoper Orchestra, Franz Bauer-Theussl | D Major | 2 | 10B | 93 BPM | ||
| Khachaturian: Gayaneh (Highlights from the Ballet): Sabre Dance | Aram Khachaturian, London Symphony Orchestra | A Minor | 5 | 8A | 83 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| Strauss, R: Ein Heldenleben, Op. 40: I. Der Held | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker, Guy Braunstein | E♭ Major | 0 | 5B | 83 BPM | ||
| Overture "The Italian Girl in Algiers: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 79 BPM | ||
| IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
| Die erste Walpurgisnacht, Op. 60: Ouverture: Der schlechte Wetter | Felix Mendelssohn, Kurt Masur, Leipzig Gewandhaus Orchestra | A Minor | 2 | 8A | 157 BPM | ||
| The Snowstorm: VI. Military march | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | E♭ Major | 7 | 5B | 126 BPM | ||
| Wagner: Rienzi, WWV 49: Overture | Richard Wagner, Heinrich Hollreiser/Staatskapelle Dresden, Heinrich Hollreiser, Staatskapelle Dresden | D Major | 3 | 10B | 103 BPM | ||
| I Masnadieri: Overture (Preludio) | Giuseppe Verdi, New Philharmonia Orchestra, Norman Jones, Lamberto Gardelli | E♭ Major | 1 | 5B | 118 BPM | ||
| Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
| Messa di Gloria: Credo in unum Deum | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| The Emperor Waltz | The Ball Orchestra Of Vienna | C Major | 0 | 8B | 89 BPM | ||
| Smetana: The Bartered Bride: Overture | Bedřich Smetana, Rudolf Kempe, Royal Philharmonic Orchestra | F Major | 2 | 7B | 124 BPM | ||
| Maskerade-Suite: I. Waltz | Aram Khachaturian, Veronika Dudarova, Moscow Symphony Orchestra | G Major | 10 | 9B | 107 BPM |