On April 25, 2001, the song "Piya Baat Jo Na Manba" was released by Gopal Rai, Tripti Shakya. This song is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The song is number 7 out of 8 in Chitthiya Mein Khatra Ba by Gopal Rai, Tripti Shakya. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Piya Baat Jo Na Manba's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Piya Baat Jo Na Manba by Gopal Rai, Tripti Shakya is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kaanchi Umariya Mein | Kalpana Patowary | C Major | 8 | 8B | 140 BPM | ||
| Bujh Gai Lalten | Jittu Khare, Laxmi Singh Thakur | B Major | 6 | 1B | 77 BPM | ||
| Man Se Banyihe Re Maliya | Gopal Rai | B♭ Minor | 9 | 3A | 134 BPM | ||
| Hari Ri Mori Lagi Lagan | Rajendra Vyas | A♭ Major | 9 | 4B | 147 BPM | ||
| Aanchar Bheej Gail - Purvi Classical Folk | Kalpana Patowary | E♭ Major | 7 | 5B | 100 BPM | ||
| Padh Le Rau Bauaa | Dilip Darbhangiya | F♯ Minor | 10 | 11A | 95 BPM | ||
| Lelo Ri Lelo Maiya | Reema Noopur | A Major | 5 | 11B | 156 BPM | ||
| Pritam Aha Bina Nhi Chain Yai | Dilip Dharbhangiya | A♭ Minor | 7 | 1A | 142 BPM | ||
| Mere Malik Ke Darbar Me | Devendra Pathak | A♭ Major | 9 | 4B | 167 BPM | ||
| Mehandipur Ke Dham Chalenge | Narender Kaushik | F♯ Major | 8 | 2B | 137 BPM | ||
| Mamosa Bai Ka Sewara - Sewara | Supriya | A♭ Minor | 7 | 1A | 162 BPM | ||
| Yedusari Bolavati Yermalayacya Dongaravari | Chandan Kamble, Rakhi Chaure | B Minor | 9 | 10A | 135 BPM | ||
| Majisa Maharanisa | Udaysingh Rajpurohit | G Major | 6 | 9B | 110 BPM | ||
| Sukhi Rahude Lakhabai Kunkwacha Dhani | Renukatai Jejurikar | D♭ Major | 8 | 3B | 103 BPM | ||
| Ge Bahina Kona Ka Parichav | Dilip Dharbhangiya | F♯ Major | 9 | 2B | 115 BPM | ||
| Bhega Padharo Satguru Bhajan | Moinuddin Manchala | G Major | 5 | 9B | 95 BPM | ||
| Timasail Hitriyaan | Heera Singh Rana | F♯ Major | 6 | 2B | 155 BPM | ||
| Ram Bina Koi Dham Nahi | Chunnilal, Prakash Mali, Moinuddin Manchala, Neta Nayak | A♭ Major | 7 | 4B | 89 BPM | ||
| Sat Ke Sandeshiya | Gorelal Burman, Shantilal Shah | G Major | 5 | 9B | 125 BPM | ||
| Raatbhar Karaych | Milind Shinde | B Major | 6 | 1B | 94 BPM | ||
| Man Mamta Me Pagal Ho | Satpal Dausa | G Major | 9 | 9B | 132 BPM | ||
| Mere Man Mandir Mein | Manish Tiwari, Manoj Mayur | B Major | 6 | 1B | 150 BPM | ||
| Bolo Shyam Premiyon Shyam Baba Ki Jay | Naresh Narsi | D♭ Major | 8 | 3B | 103 BPM | ||
| O Meera Bhabhi Ji | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Nirdhan Ke Rog Jani | Pawan Singh | D♭ Major | 7 | 3B | 92 BPM |