Liebeslieder-Walzer, Op. 52 - Verses from "Polydora": 6. Ein kleiner, hübscher Vogel nahm den Flug - Live by Johannes Brahms, Martha Argerich, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana, Diego Fasolis Song Details

Johannes Brahms, Martha Argerich, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana, Diego Fasolis's 'Liebeslieder-Walzer, Op. 52 - Verses from "Polydora": 6. Ein kleiner, hübscher Vogel nahm den Flug - Live' had a release date set for January 1, 2012. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Liebeslieder-Walzer, Op. 52 - Verses from "Polydora": 6. Ein kleiner, hübscher Vogel nahm den Flug - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Martha Argerich's "Martha Argerich - Lugano Concertos" album is number 9 out of 56. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Liebeslieder-Walzer, Op. 52 - Verses from "Polydora": 6. Ein kleiner, hübscher Vogel nahm den Flug - Live's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Liebeslieder-Walzer, Op. 52 - Verses from "Polydora": 6. Ein kleiner, hübscher Vogel nahm den Flug - Live by Johannes Brahms, Martha Argerich, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana, Diego Fasolis to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Music Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -22.421 dB
Acousticness: 99%
Danceability: 39%
Energy: 9%
Instrumentalness: 9%
Liveness: 14%
Loudness: 63%
Speechiness: 3%
Valence: 35%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto	Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson	F Major	1	7B	127 BPM
Overture (Suite) No. 2 In B Minor, BWV 1067 : VII. Badinerie	Cologne Chamber Orchestra, Johann Sebastian Bach	B Minor	4	10A	119 BPM
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio	Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden	D Major	0	10B	93 BPM
Adagio in F, H.XVII No. 9	Joseph Haydn, Alfred Brendel	F Major	0	7B	71 BPM
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song)	Edvard Grieg, Einar Steen-Nøkleberg	B♭ Major	0	6B	72 BPM
21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto	Johannes Brahms, Tal & Groethuysen	G Minor	1	6A	70 BPM
The Moldau	Bedřich Smetana, Ferenc Fricsay, Berliner Philharmoniker	E Minor	3	9A	86 BPM
Saint-Saëns: Romance pour cor et orchestre, Op. 36 (Version for Cello and Piano)	Camille Saint-Saëns, Roland Pidoux	F Major	0	7B	132 BPM
21 Hungarian Dances, WoO 1 (arr. J. Joachim for violin and piano): No. 3 in F Major	Joseph Joachim, Johannes Brahms, Marat Bisengaliev, John Lenehan	F Major	0	7B	146 BPM
Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring)	Joseph Banowetz, Franz Liszt	G Major	1	9B	108 BPM
Vocalise, Op. 34, No. 14	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	E Minor	1	9A	76 BPM
3 Romances, Op. 11: I. Andante	Clara Schumann, Yoshiko Iwai	C Major	0	8B	66 BPM
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo	Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend	B Minor	2	10A	105 BPM
Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major	Johannes Brahms, Martin James Bartlett	B♭ Major	1	6B	129 BPM
21 Hungarian Dances, WoO 1 (arr. J. Joachim for violin and piano): No. 11 in D Minor	Joseph Joachim, Johannes Brahms, Marat Bisengaliev, John Lenehan	A Minor	1	8A	93 BPM
13 Pieces, Op. 76: No. 2, Etude	Jean Sibelius, Olli Mustonen	G Major	0	9B	66 BPM
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace	Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra	G Major	3	9B	87 BPM
Carmen Variations	Vladimir Horowitz	E Major	2	12B	148 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1)	Franz Liszt, Angela Hewitt	G Major	0	9B	63 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Le Carnaval des Animaux, R. 125: Le Cygne	Camille Saint-Saëns, Mischa Maisky, Martha Argerich, Nelson Freire	A♭ Major	0	4B	73 BPM
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano)	Sergei Rachmaninoff, Sergei Babayan	A♭ Major	0	4B	78 BPM
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso	César Franck, Joshua Bell, Jeremy Denk	A Major	1	11B	94 BPM