On July 7, 2023, the song "Scene 7: The Murdered Man, Channeled by a Medium (feat. John Taylor Ward; Chuanyuan Liu; Andrew Turner; Lindsay Kesselman)" was released by Christopher Cerrone, Metropolis Ensemble, Andrew Cyr, John Taylor Ward, Chuanyuan Liu, Andrew Turner, Lindsay Kesselman. This song appears to be safe for all ages as it is not explicit. The track order of this song in Christopher Cerrone's "In A Grove" album is number 10 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Scene 7: The Murdered Man, Channeled by a Medium (feat. John Taylor Ward; Chuanyuan Liu; Andrew Turner; Lindsay Kesselman)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Scene 7: The Murdered Man, Channeled by a Medium (feat. John Taylor Ward; Chuanyuan Liu; Andrew Turner; Lindsay Kesselman) by Christopher Cerrone, Metropolis Ensemble, Andrew Cyr, John Taylor Ward, Chuanyuan Liu, Andrew Turner, Lindsay Kesselman to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Virtus Sapientiae | Hildegard von Bingen, Marion Frère, Mar' et Balt', Balthazar Naturel | A Minor | 0 | 8A | 75 BPM | ||
| All Along | Hildur Guðnadóttir | C Major | 0 | 8B | 96 BPM | ||
| Dolphin (Version for String Quintet) | JB Dunckel, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Shuichi Okada, Harry Allouche | F Major | 0 | 7B | 94 BPM | ||
| Ode to Joy | Christopher Cerrone, Sandbox Percussion | E Minor | 1 | 9A | 125 BPM | ||
| Égérie (Version for Flute and String Quintet) | JB Dunckel, Shuichi Okada, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Marie Laforge, Harry Allouche | C Major | 3 | 8B | 80 BPM | ||
| Kyrie | Euan Stevenson, Julia Doyle | F Major | 2 | 7B | 81 BPM | ||
| Melo Walk (Version for String Quintet) | JB Dunckel, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Lorraine Campet, Shuichi Okada, Harry Allouche | C Major | 3 | 8B | 80 BPM | ||
| Donnacha Dennehy: Land of Winter: IV. March | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | D Minor | 4 | 7A | 97 BPM | ||
| Alone on Mulholland | Ellen Reid | B Minor | 1 | 10A | 70 BPM | ||
| Between Us | Rebecca Foon, Aliayta Foon-Dancoes | A Minor | 0 | 8A | 72 BPM | ||
| Outside In | Jim Perkins, Joanna Forbes L'Estrange | E Major | 2 | 12B | 174 BPM | ||
| Toda al Hakol - Mvt II | Asaf Sagiv, Yuki Numata Resnick, Ben Russell, Caleb Burhans, Clarice Jensen, Osnat Sagiv, First Dome Chamber Choir, Jenny Wong | D♭ Major | 0 | 3B | 48 BPM | ||
| Don't Look Down: III. Caton Flats | Christopher Cerrone, Sandbox Percussion, Conor Hanick | D Minor | 1 | 7A | 71 BPM | ||
| Bluff of Grut Fea | Erland Cooper | D♭ Major | 0 | 3B | 78 BPM | ||
| The Pieces That Fall to Earth: No. 7, The Woman Who Wrote Too Much | Christopher Cerrone, Lindsay Kesselman, Wild Up, Christopher Rountree | E Major | 3 | 12B | 60 BPM | ||
| Kaarnaa myöten | Lauri Porra | D Major | 0 | 10B | 165 BPM | ||
| Plan & Elevation: II. The Cutting Garden | Caroline Shaw, Attacca Quartet | A Minor | 1 | 8A | 144 BPM | ||
| Aguas da Amazonia: Paru River | Third Coast Percussion, Philip Glass, Constance Volk | D♭ Major | 1 | 3B | 165 BPM | ||
| Folding | Iva Bittová, Marilyn Crispell, Benedicte Maurseth, David Rothenberg | D Major | 1 | 10B | 112 BPM | ||
| Emerge | Richard Skelton | G Minor | 2 | 6A | 47 BPM | ||
| Continuum | Francesca Guccione | G Minor | 2 | 6A | 81 BPM | ||
| Descending On The Ship's Prow | Tristan de Liège, Gregory Allison | C Major | 3 | 8B | 80 BPM | ||
| Goldbeater's Skin: VII. Against the Madness of Crowds | Christopher Cerrone, Sandbox Percussion, Elspeth Davis | D Minor | 1 | 7A | 71 BPM | ||
| Don't Look Down: I. Hammerspace | Christopher Cerrone, Sandbox Percussion, Conor Hanick | D Minor | 1 | 7A | 71 BPM | ||
| Sketch III | Sergey Akhunov, Ksenija Sidorova | A Minor | 0 | 8A | 92 BPM |