渡辺岳夫's ' "連れ去られたパトラッシュ: 1-M-17" was released on its scheduled release date, November 25, 2004. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. 連れ去られたパトラッシュ: 1-M-17's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 世界名作劇場 メモリアル音楽館 フランダースの犬, so we believe that "連れ去られたパトラッシュ: 1-M-17" is a single. In terms of popularity, 連れ去られたパトラッシュ: 1-M-17 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 連れ去られたパトラッシュ: 1-M-17 by 渡辺岳夫 is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| LUPIN TROIS 2018 | Yuji Ohno & Lupintic Six, Yuji Ohno | A Minor | 4 | 8A | 112 BPM | ||
| スターライト・シャワー | MIO | F♯ Minor | 4 | 11A | 82 BPM | ||
| マークザイン | 斉藤恒芳 | E Minor | 5 | 9A | 96 BPM | ||
| 天気晴朗ナレドモ波高シ | Joe Hisaishi | D♭ Major | 9 | 3B | 124 BPM | ||
| ファイズ | 松尾早人 | C Major | 5 | 8B | 72 BPM | ||
| Zero no Densetsu -XXXG-OOWO | Kow Otani | E Minor | 6 | 9A | 88 BPM | ||
| トップレス | Kohei Tanaka | D♭ Major | 8 | 3B | 98 BPM | ||
| A BAOA QU Shinko M-65 | Yushi Matsuyama | A Minor | 8 | 8A | 149 BPM | ||
| 戦闘行為 | Akira Senju | B♭ Minor | 2 | 3A | 73 BPM | ||
| Zenkan Shutsugeki-seyo | 渡辺岳夫 | D Major | 8 | 10B | 154 BPM | ||
| 「HERO」 -Main Title- | Takayuki Hattori | A♭ Major | 8 | 4B | 130 BPM | ||
| 行け!ザンボット3 | 堀光一路 | D Minor | 7 | 7A | 146 BPM | ||
| Wyvern | Kenji Kawai | A Major | 5 | 11B | 145 BPM | ||
| みえるだろうバイストン・ウェル | MIQ (MIO) | C Major | 4 | 8B | 89 BPM | ||
| 愛の金字塔 | Ippo Hiura | E Minor | 8 | 9A | 95 BPM | ||
| the mysterious mallets | Akira Mitake | C Major | 6 | 8B | 95 BPM | ||
| つりびより | 大杉久美子, 渡辺岳夫 | G Major | 3 | 9B | 91 BPM | ||
| 「男はつらいよ」 メインタイトル | 山本直純, Taizo Takemoto, Japan Philharmonic Orchestra | B♭ Major | 2 | 6B | 134 BPM | ||
| 激闘!サンジ | 田中公平 | A Minor | 4 | 8A | 118 BPM | ||
| 新日本紀行 オリジナルカバー | NIYARI計画 | D Minor | 4 | 7A | 72 BPM | ||
| 鬼平犯科帳 オープニングテーマ(鬼平犯科帳) ORIGINAL COVER | NIYARI計画 | A Minor | 8 | 8A | 142 BPM | ||
| 蹄跡 | Kenji Kawai | B♭ Major | 5 | 6B | 94 BPM | ||
| BACKGROUND MUSIC III | Shiro SAGISU | C Minor | 4 | 5A | 117 BPM | ||
| Itsuwari no Saisei (M-7B) | Shiro SAGISU | E♭ Major | 6 | 5B | 138 BPM | ||
| ヤマトの反撃 - 「ヤマトよ永遠に」使用BGM | 宮川 泰, シンフォニック・オーケストラ・ヤマト | E♭ Major | 6 | 5B | 136 BPM |