"Upon Arrival" by Dominique Pauwels had its release date on March 4, 2022. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "TWO SUMMERS (Twee Zomers) : original television series soundtrack". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Belgium. Upon Arrival is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Upon Arrival by Dominique Pauwels having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le mi bémol ne sonne plus | Harry Allouche | A Minor | 1 | 8A | 113 BPM | ||
| Les trois formes d'amour | Grégoire Hetzel | A Minor | 0 | 8A | 72 BPM | ||
| That's It | Danny Bensi and Saunder Jurriaans | A Minor | 1 | 8A | 66 BPM | ||
| Who Will Tell? | Dominique Pauwels | C Minor | 0 | 5A | 70 BPM | ||
| Hiking Trails | Paolo Vivaldi | B Minor | 3 | 10A | 80 BPM | ||
| Dismantle | Peter Sandberg | E♭ Major | 1 | 5B | 100 BPM | ||
| 1.1 Prelude | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | G Major | 3 | 9B | 140 BPM | ||
| Aja's Theme (Orchestral Version) | Nicolas Errera | E♭ Major | 1 | 5B | 180 BPM | ||
| Marlene Dumas | Dominique Pauwels | G Minor | 8 | 6A | 126 BPM | ||
| The Starling | Benjamin Wallfisch | A♭ Minor | 3 | 1A | 74 BPM | ||
| Sincere | YARA | C Major | 1 | 8B | 100 BPM | ||
| Icicles | Biba Dupont | G Minor | 0 | 6A | 127 BPM | ||
| Palast Walzer - Bonustrack | Martin Lingnau, Ingmar Süberkrüb | E Minor | 3 | 9A | 87 BPM | ||
| La promesse (Deep Pianos) | Cascadeur | A Minor | 0 | 8A | 144 BPM | ||
| Death And Baptism | Nick Cave, Warren Ellis | G Major | 1 | 9B | 110 BPM | ||
| End Credits | Andrew Simon McAllister | B♭ Major | 1 | 6B | 80 BPM | ||
| Timelapse | Uno Helmersson, Mari Samuelsen, Jesper Söderqvist, Gunnar Flagstad, TrondheimSolistene | G Minor | 2 | 6A | 105 BPM | ||
| Last Chance Waltz | Christian Lundberg | F♯ Minor | 3 | 11A | 180 BPM | ||
| Can People Change? | Joseph Trapanese, London Contemporary Orchestra, Tonality | C Major | 1 | 8B | 116 BPM | ||
| The First Waltz | RIOPY | F Minor | 1 | 4A | 92 BPM | ||
| Moonlight | Adrián Berenguer | A Minor | 2 | 8A | 90 BPM | ||
| Icarus Ending | Adam Peters | C Minor | 4 | 5A | 106 BPM | ||
| The Wedding | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | F Minor | 2 | 4A | 125 BPM | ||
| Little Forest | Hiroko Murakami, Hiroco.M | F Minor | 4 | 4A | 86 BPM | ||
| Bright Evening Air | Kaae & Batz | F Major | 2 | 7B | 160 BPM |