N .T. Rama Rao, S. V. Ranga Rao, P. Bhanumathi, Jamuna, M.R.Radha's ' "Dialogues (Bobbili Yuddham)" was released on its scheduled release date, December 31, 1964. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 11 in Bobbili Yuddham by S.Rajeshwara Rao. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Dialogues (Bobbili Yuddham)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Dialogues (Bobbili Yuddham) by N .T. Rama Rao, S. V. Ranga Rao, P. Bhanumathi, Jamuna, M.R.Radha is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cheliyaledu | Ghantashala, Jamuna Rani, Samudrala Sr. | F♯ Major | 7 | 2B | 135 BPM | ||
| Oracha Manjala Orasi Paathu | Gyan Varma, Aabavanan | G Major | 9 | 9B | 109 BPM | ||
| Chigurese Moggese | S. P. Balasubrahmanyam, P. Susheela | A Major | 8 | 11B | 134 BPM | ||
| Vellippani Malaiyin - 1985 | Sirkazhi Govindarajan | B♭ Minor | 5 | 3A | 110 BPM | ||
| Aathu Vellam | A. L. Raghavan, L. R. Eswari | G Major | 4 | 9B | 63 BPM | ||
| Mattuga Gammattuga | S. P. Balasubrahmanyam, Chitra, Raj-Koti, Bhuvana Chandra | G Major | 4 | 9B | 110 BPM | ||
| Buthimaan Balavaan (Childerns Drama) | S. C. Krishnan, T. M. Soundararajan, M. S. Rajeswari | A♭ Minor | 2 | 1A | 89 BPM | ||
| Vilakkethu,Vilakkethu | Malaysia Vasudevan | C Major | 5 | 8B | 136 BPM | ||
| Eedattra Paththiniyin | C. S. Jayaraman | D Major | 5 | 10B | 111 BPM | ||
| Saranu Saranu Rama Dhuta | J. Purushothama Sai, Ramakrishna | C Major | 4 | 8B | 117 BPM | ||
| Aaraaro | Sherin Peter | F Major | 4 | 7B | 183 BPM | ||
| Srirama Nee Padam | M. M. Keeravaani, MM Sreelekha | G Major | 8 | 9B | 163 BPM | ||
| Allipanthal | M.S.Raju, L. R. Eswari | F Major | 5 | 7B | 83 BPM | ||
| Katrinile Varum Geetham | Ravindran, Vani Jairam, Pulamaipithan, Vaali, Na.Kamarasan, Gangai Amaran, M.G.Vallabhan | C Major | 4 | 8B | 87 BPM | ||
| Swami Thimthakaathome | Sirkazhi Govindarajan | C Major | 7 | 8B | 111 BPM | ||
| Naaga Vadivaanavalae - Language: Tamil; Genre: Amman | Veeramanidaasan | C Major | 6 | 8B | 112 BPM | ||
| Brama Murari | Ramu | C Major | 2 | 8B | 173 BPM | ||
| Vethala Madichu | Gangai Amaran, S. P. Sailaja | G Minor | 9 | 6A | 77 BPM | ||
| Sri Suryanarayana Meluka | K. V. Mahadevan, Bhanumathi Ramakrishna, Vani Jairam, Puhalendi, C. Narayana Reddy | G Major | 5 | 9B | 123 BPM | ||
| Ramanaa Ramudu | P. Susheela, Jamuna Rani | F♯ Minor | 8 | 11A | 84 BPM | ||
| Andanaal Njapakam | T. M. Soundararajan, Major Sunderarajan | C Minor | 5 | 5A | 103 BPM | ||
| Mahaan Gandhi Mahaan | M. S. Rajeswari | B♭ Minor | 4 | 3A | 144 BPM | ||
| Kalalenduku | S. P. Balasubrahmanyam, S. P. Sailaja | F♯ Major | 3 | 2B | 141 BPM | ||
| Yetilona Yelleti | Mano, S. P. Sailaja | F♯ Major | 7 | 2B | 147 BPM | ||
| Vangadi Vangadi | Malaysia Vasudevan, S. P. Sailaja | E♭ Minor | 5 | 2A | 110 BPM |