"The Armed Man (Ensemble Version): I. The Armed Man" by Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera had its release date on January 12, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera's "Karl Jenkins: The Armed Man (Ensemble Version)" album is number 1 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Armed Man (Ensemble Version): I. The Armed Man's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Armed Man (Ensemble Version): I. The Armed Man by Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Song Of The Plains | Karl Jenkins, Peter Pejtsik, Adiemus Symphony Orchestra Of Europe | F Major | 5 | 7B | 80 BPM | ||
| Introduction - Taaveti laul, No. 84 (Psalm 84) [Live]: Taaveti laul 141, "Issand, ma huuan Su poole" [Psalm 141, "O Lord I call to thee"] | Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss | B Minor | 0 | 10A | 85 BPM | ||
| COURTESY | Yasuharu Takanashi, NDR Radiophilharmonie, Pop-Up, Michael England | E♭ Major | 2 | 5B | 132 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Grieg: Suite No. 2 from Peer Gynt, Op. 55: I. The Abduction of the Bride - Ingrid's Lament | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Minor | 1 | 6A | 98 BPM | ||
| William I | Debbie Wiseman, National Symphony Orchestra | E Minor | 3 | 9A | 131 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 74 BPM | ||
| Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
| Mouth Music | Anúna, Michael McGlynn | F Minor | 1 | 4A | 73 BPM | ||
| Adagio for Strings: Agnus Dei | Samuel Barber, Armonico Consort, Christopher Monks | B♭ Minor | 1 | 3A | 78 BPM | ||
| Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM | ||
| In These Stones Horizons Sing: IV. In These Stones Horizons Sing | Karl Jenkins, Adiemus, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Bryn Terfel, Nigel Hitchcock, Catrin Finch, Timothy Rhys-Evans | E Minor | 4 | 9A | 84 BPM | ||
| Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | E♭ Major | 1 | 5B | 139 BPM | ||
| Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
| El Coctel Perfecto | Los Triunfadores | A♭ Major | 1 | 4B | 81 BPM | ||
| Misa Tango: II. Gloria | MartÍn Palmeri, Astoria, Philippe Gérard | C Major | 7 | 8B | 115 BPM | ||
| Zadok the Priest, HWV 258 | George Frideric Handel, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha, Coronation Orchestra, Antonio Pappano, Peter Holder | A Major | 2 | 11B | 119 BPM | ||
| The Bells of Dawn | Georgy Sviridov, Dmitri Hvorostovsky, Masters of Choral Singing, Lev Kontorovich | D Major | 1 | 10B | 84 BPM | ||
| Le Bourgeois Gentilhomme, LWV 43: Marche pour la Cérémonie Turque (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 79 BPM | ||
| Cantus Caravaggio I (Jordi Savall) | Jordi Savall, Hespèrion XXI | G Minor | 0 | 6A | 95 BPM | ||
| Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
| Exsultate, jubilate | Karl Jenkins, Polyphony, Stephen Layton | A Minor | 3 | 8A | 80 BPM | ||
| Romanian Folk Dances, Sz. 56 - Arr. for String Orchestra by Arthur Wilner | Béla Bartók, Orchestra of the Swan, David le Page | B Minor | 0 | 10A | 78 BPM | ||
| Wiegala | Ilse Weber, Anne Sofie von Otter, Bebe Risenfors | E Minor | 0 | 9A | 112 BPM | ||
| In Nomine | Richard Harvey | G Minor | 1 | 6A | 55 BPM |